Artist

Soprano

Patricia Atallah

Sopran

Marie-Madeleine

Desdemona

Franċiż

Taljan

Għarbi

Latin

Méditations avec Marie - Concert entre Orient et Occident

Producer

Public

Magnificat in D Major BWV 243

Mary Magdalene

Othello

Pending

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Baritone

Countertenor

Mezzo-soprano

Tenor

Bass

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Ô bien-aimé (Meryem aria), from the oratorio Marie-Madeleine, by Jules Massenet

Concert « Méditations avec Marie, entre Orient et Occident » à la cathédrale Notre-Dame du Liban à Paris - Juin 2020

Extract from the concert "Meditations with Mary, between East and West" at Notre-Dame du Liban cathedral in Paris - June 2020

Patricia Atallah, soprano
Akaya Uenomachi, piano

Massenet - Marie-Madeleine - Ô bien-aimé (Méryem) | Patricia Atallah

Méditations avec Marie - Concert entre Orient et Occident by Bach, J. S., Massenet, Verdi, Minn (2020/2020)

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