Name: Messiah
Start: 2021-12-20T00:00:00.000Z
End: 2021-12-20T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Soprano

Mary Bevan

Tenor

Benjamin Hulett

Bass

Ashley Riches

Conductor

Paul McCreesh

Contralto

Caitlin Hulcup

Alto

MusikTheater an der Wien

Others

Gabrieli Choir

Basel Chamber Orchestra

английски

Messiah -  (Messiah HWV 56)

Vienna

Austria

Theater an der Wien

Messiah

Public

Messiah HWV 56

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Baritone

Child vocalist

Continuo

Silent

Spoken

Georg Friedrich Handel created many outstanding masterpieces, but Messiah in particular has contributed to his fame through the changing musical developments and fashions of the last 250 years. Handel wrote the oratorio in London in 1741, then went to Dublin for ten months, where he premiered it in 1742 as part of a benefit concert. This first performance was an enormous success, in the newspaper it was asked, "Gentlemen may come without swords and women without hoop skirts, in order to make space for a larger audience and thus to create higher income for good causes". Edward Synge, Bishop of Elphin, wrote overwhelmed: “Although Mr. Handel surpasses all other composers with his oratorios, he seems to be in Messiahto have outdone myself. It seems to me to be a special kind of music, very different from all the others. ”In London, on the other hand, the enthusiasm was initially moderate, but the work soon spread across England and the continent. Handel himself repeatedly adapted the music to the respective new performance conditions so that today a number of variants are known, but not the exact form of the original version. Over the years, the number of participants grew, there were gigantic performances with over 500 musicians, who celebrated the praise of the Savior more and more overwhelmingly. The libretto is based on scriptures compiled by Handel's friend and patron Charles Jennens. However, the oratorio does not tell the story of Jesus' life and death - as one might think - it is more of an abstract, theological discussion about the fact that Jesus was really the Messiah announced by the prophets. He himself does not appear. Statements of the Old Testament are interpreted Christologically and related to Jesus as the New Testament describes him. The basic gesture of the texts is the struggle for the Christian faith. Handel's music finds overwhelming expression for human fears and hopes, feelings of guilt, contrition and jubilant certainty of redemption: “And he shall reign for ever and ever. Hallelujah! " The basic gesture of the texts is the struggle for the Christian faith. Handel's music finds overwhelming expression for human fears and hopes, feelings of guilt, contrition and jubilant certainty of redemption: “And he shall reign for ever and ever. Hallelujah! " The basic gesture of the texts is the struggle for the Christian faith. Handel's music finds overwhelming expression for human fears and hopes, feelings of guilt, contrition and jubilant certainty of redemption: “And he shall reign for ever and ever. Hallelujah! "

English

Messiah HWV 56 by Händel, от (2021/2021), диригент Paul McCreesh, Theater an der Wien, Vienna, Austria

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