Name: Messiah
Start: 2022-12-17T00:00:00.000Z
End: 2022-12-18T00:00:00.000Z
Location: Chapelle Royale

Organization

Conductor

Franco Fagioli

Singer

Soprano

Marie Lys

Contralto

Margherita Maria Sala

Alto

Tenor

Pablo Bemsch

Bass

Alex Rosen

Opéra Royal de Versailles

Others

Cor de Cambra del Palau de la Música Catalana

Messiah -  (Messiah HWV 56)

Versailles

France

Chapelle Royale

Messiah Händel

Public

Messiah HWV 56

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Bass-baritone

Mezzo-soprano

Child vocalist

Continuo

Silent

Spoken

Presentation

Messiah is Handel’s most famous composition: the oratorio premiered in Dublin in 1742 and was a resounding success at the premiere: such was the demand for tickets that gentlemen were asked to 'forego wearing their swords' and ladies to come 'without hooped dresses', to make room for more listeners, and so increase the proceeds 'for charity'. For the great alto aria "He was despised", the Reverend Delany was so moved that he stood up and cried out to the singer: ‘Woman, for this, be all thy sins forgiven thee!”
Revived in London, Messiah soon became Handel's signature work. Performed thirty-six times during his lifetime, it quickly became the epitome of the majestic and sublime in music. Charles Jennens constructed the libretto dedicated to Christ in three parts: Nativity; Passion and Resurrection; Redemption. The ideal alternation of solo arias and choruses is admirable, and Handel's lyrical skill is evident throughout the arias: suave or victorious, they are among the composer's most beautiful. The memorable choruses have been in our ears for over two hundred and fifty years... In London, King George II was so struck by Hallelujah that he rose to his feet with emotion, followed by the entire audience, and every British audience since. The Royal Opera Orchestra of Versailles joins the Chamber Choir of the Palau de la Musica Catalana in Barcelona for a tour led by the renowned Franco Fagioli, conducting for the first time in Europe: his exceptional musical science should make this treasure of English Baroque music shine with a thousand Latin lights!
A Les Productions de l'Opéra Royal production

English

Messiah HWV 56 by Händel, Aπό (2022/2022), αγωγός Franco Fagioli, Chapelle Royale, Versailles, France

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