Organization

Regie

Petra Radin

Dirigat

Filip Fak

Choreographie

Branko Banković

Bühnenbild

Branko Lepen

Kostümbild

Sara Lovrić Caparin

Videogestaltung

Martin Šatović

Sänger

Marta Bratković

Violin

Orchestra

Zagreb Philharmonic Orchestra

Minimini Ciklus Da Sam Ja Kontesa Dora

Zagreb

Kroatien

Vatroslav Lisinski Concert Hall

Small Hall

Minimini Ciklus Da Sam Ja Kontesa Dora: Composition Various

Public

Private

Composition

Genehmigt

Konzerthalle Vatroslav Lisinski

Njezino pismo koje je ostavila suprugu odraz je žene koja je bila ispred svojeg vremena. Osim jasne poruke o ravnopravnosti spolova, direktno se izjašnjava o slobodi bilo kakvih okvira. Riječi stvaralaštvo i sloboda vodilje su kroz ovu našu malo drugačiju predstavu za djecu.

Petra Radin

Kako iz praznog papira dolazimo do skladbe? Kako nastaje stvaralaštvo? To nitko ne zna. Kažu da je Dora Pejačević skladala u svojoj sjenici, a što se u njoj događalo, ostaje na našoj mašti. Ostavila nam je veliko bogatstvo glazbe, ali I poruka o slobodi, ljubavi i pravu na jednakost bez obzira na spol ili stalež. Za nju je čovjek na prvom mjestu, što je I dokazala životnim stilom, kao njegovateljica I volonterka Crvenog križa za vrijeme rata.

Dora je ostavila veliki trag u svakome tko je zagrebao u njezinu kreaciju i način života.

Mi smo odlučili pričati baš o tom stvaralaštvu – skladateljskom, ali i onom izvedbenom, jer jedno bez drugog ne može. Uz igru i slobodu, o kojima je toliko pisala gledajući s prozora svoje sjenice, uplovljavamo u skladbu Crveni karanfil, iz opusa Život cvijeća i pronalazimo dijete u sebi. Jer kada to pronađemo, možemo proniknuti u tajne nastanka jedne skladbe.

Violinistica Marta ulazi u dvorac Pejačević, u Našicama, koji je u obnovi, susreće djevojčicu Doru, i čuda se polako događaju. A mi vjerujemo u čuda, zar ne?

hrvatski

Her letter that she left to her husband is a reflection of a woman who was ahead of her time. In addition to a clear message about gender equality, it directly declares freedom from any framework. The words creativity and freedom guide us through this slightly different show for children.

Petra Radin

How do we get from a blank piece of paper to a composition? How does creativity arise? Nobody knows that. They say that Dora Pejačević composed in her gazebo, and what happened in it remains up to our imagination. She left us a great wealth of music, but also a message about freedom, love and the right to equality regardless of gender or class. For her, man comes first, which she proved with her lifestyle, as a carer and Red Cross volunteer during the war.

Dora left a big mark on everyone who scratched into her creation and way of life.

We have decided to talk about that creativity - composing, but also performing, because one cannot exist without the other. Along with play and freedom, about which she wrote so much looking from the window of her gazebo, we sail into the composition Red Carnation, from the opus Life of Flowers and find the child in us. Because when we find that, we can penetrate into the secrets of the creation of a composition.

The violinist Marta enters the Pejačević castle in Našice, which is under renovation, meets the little girl Dora, and miracles slowly happen. And we believe in miracles, don't we?

English

Minimini Ciklus Da Sam Ja Kontesa Dora by Various, Ab (2023/2023), Unter der Regie von Petra Radin,, Dirigat Filip Fak, Konzerthalle Vatroslav Lisinski, Zagreb, Kroatien

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte