Organization

Gstaad Menuhin Festival

Dirigat

René Jacobs

Sopran

Brigitte Christensen

Mezzosopran

Sophie Harmsen

Tenor

Steve Davislim

Bass

Johannes Weisser

Orchestra

Freiburger Barockorchester

Others

RIAS Chamber Choir

Missa solemnis – Beethoven 250

Gstaad

Schweiz

Opening Concert – Missa solemnis – Beethoven 250: Concert Various

Public

Konzert

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bariton

Singer

Bass-Bariton

Countertenor

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Although he was not a diligent churchgoer, Beethoven always showed sincere faith. When he felt his body failing him, he turned both inward – his complete deafness was diagnosed around 1820 – and upward. In 1818, the prospect of the investiture of his beloved protector Rudolf of Austria as Archbishop of Olmütz prompted him to embrace the composition of a Mass of colossal proportions that he had long been thinking about. His poor health combined with the dizzying height of his ambition prevented him from completing this Missa Solemnis in time. Indeed, he was not to deliver it to Rudolph until 1823. But what a monumental piece! He was particularly keen to assimilate the legacy of Bach and especially Handel, whom he considered to be the greatest composer of all time.

English

Missa solemnis – Beethoven 250 by Various, Ab (2020/2020), Dirigat René Jacobs

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte