Name: Missa solemnis in D major, op. 123
Start: 2021-09-23T00:00:00.000Z
End: 2021-09-24T00:00:00.000Z
Location: Herkulessaal

Organization

Conductor

John Eliot Gardiner

Singer

Soprano

Lucy Crowe

Mezzo-soprano

Gerhild Romberger

Tenor

Julian Prégardien

Bass

Tareq Nazmi

Others

Chor des Bayerischen Rundfunks

Orchestra

Symphonieorchester des Bayerischen Rundfunks

Missa solemnis in D major, op. 123

Munich

Germany

Herkulessaal

Missa solemnis in D major, op. 123 Beethoven

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

“From the heart, may it again go to the heart.” Thus Beethoven wrote at the head of the Kyrie in his Missa solemnis. Shortly before completing the work he called it the greatest he had ever written. This monumental yet enigmatic masterpiece of sacred music is less a strictly liturgical composition than a vehicle for kindling authentic religious feelings in the listeners. His Mass thus bespeaks a thoroughly Enlightenment view of religion; it also reveals a sense of drama, as when the final plea for peace, “Dona nobis pacem”, is preceded by vivid scenes of war. In John Eliot Gardiner a conductor steps up to the BRSO rostrum who has often plunged into the gigantic cosmos of the Missa solemnis in concerts and recordings, probing the field of tension between faith and emotionalism that goes directly to the heart.

English

Missa solemnis in D major, op. 123 by Beethoven, Alkaen (2021/2021), Musiikinjohto John Eliot Gardiner, Herkulessaal, Munich, Germany

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