Organization

Chanteur

Rôle parlant

Peter Weber

Moses

Ténor

Daniel Brenna

Aron

Soprano

Esther Lee

Mädchen

Contralto

Cornelia Kallisch

Kranke

Baryton

Cheyne Davidson

Mann

Basse

Valeriy Murga

Priester

2. nackte Jungfrau

Anja Schlosser

3. nackte Jungfrau

Katharina Peetz

4. Nackte Jungfrau

Mezzo-soprano

Irène Friedli

2. Solostimme

Wiebke Lehmkuhl

3. Solostimme

Reinhard Mayr

6. Solostimme

Direction d'orchestre

Christoph von Dohnányi

Mise en scène

Achim Freyer

Décors

Costumes

Lumières

Martin Gebhardt

Peter Sonn

Jüngling

Nackter Jüngling

Davide Fersini

Ephraimit

Camille Butcher

1. Solostimme

Michael Laurenz

4. Solostimme

1. nackte Jungfrau

5. Solostimme

Opernhaus Zürich

allemand

Moses und Aron -  (Moïse et Aaron)

Zurich

Suisse

Opernhaus

Moïse et Aaron

anglais

Valide

Supported by the René and Susanne Braginsky Foundation and the Friends of the Zurich Opera Conductor - Christoph von Dohnányi Production - Achim Freyer Stage design - Achim Freyer Costumes - Achim Freyer Lighting design - Martin Gebhardt Choir mastering - Joszef Chabron, Thomas Lang Orchestra - Orchestra of the Zurich Opera Choir - Slovak Philharmonic Choir Bratislava Ballet - extras association at the Zurich Opera House With Peter Weber (Moses), Daniel Brenna (Aron); Esther Lee (young girl), Cornelia Kallisch (sick woman); Peter Sonn (young man), Peter Sonn (naked youth), Cheyne Davidson (another man), Davide Fersini (Epraimite), Valeriy Murga (priest); Camille Butcher (1st naked virgin), Esther Lee (2nd naked virgin), Anja Schlosser (3rd naked virgin), Katharina Peetz (4th naked virgin), Camille Butcher (1st solo part), Irène Friedli (2nd solo part ), Wiebke Lehmkuhl (3rd solo part); Michael Laurenz (4th solo part), Davide Fersini (5th solo part), Reinhard Mayr (6th solo part), Michael Laurenz (a youth), Utz Bodamer (Moses player), Hans-Peter Ulli (Aron player 1), Markus Hofmann (Aron player 2) Schönberg himself had doubts that his opera "Moses und Aron" could be performed; But 25 years after the completion of the second act (the third act remained unfinished) the time had come: in 1957 the staged premiere took place as part of the June Festival at the Zurich Opera House and paved the way for Schönberg's visionary confessional work that challenged all of an opera house the stages of the world. Today the opera is considered to be one of the most important musical theater works of the 20th century. The focus of the story is the question of how the thought can be made comprehensible in words without resorting to images. In the biblical context it is about the monotheistic idea of ​​God. Moses is instructed by God's voice, speaking to him from the burning bush, to free the people of the Israelites from Egyptian bondage and to lead them to believe in the "only, eternal, invisible and unimaginable" God. However, since he lacks the gift of the word, he has to rely on his brother Aron, of whose enlightenment the voice from the thorn bush speaks. The latter takes refuge in miraculous apparitions and finally, while Moses receives the tablets of the Law on Mount Sinai, allows the service to the old idols again. An orgy of drunkenness, unleashed eroticism and anger of annihilation erupts in the dance around the golden calf. When Moses returns, he holds his brother accountable; he desperately smashes the tablets of the law. With Achim Freyer, who is responsible for direction, stage design and costumes, it has been possible for the first time to engage one of the most important contemporary theater makers at the Zurich Opera House, who has often dealt with contemporary music theater (including Philipp Glass, John Cage, Helmut Lachenmann) . His theater work is characterized by strictness of thought, poetic visual inventions and great suggestive power. Christoph von Dohnányi guarantees an impressive musical interpretation. The conductor, who has campaigned for the musical avant-garde throughout his life, knows the highly complex, twelve-tone score of Schönberg like no other: as early as the 1970s, he conducted pioneering performances of this work in Frankfurt and Vienna and in 1995 in Paris.

MOSES AND ARON - SCHÖNBERG

Moïse et Aaron by Schoenberg, Arnold, Du (2011/2011), Dirigé par Achim Freyer,, Chef d'orchestre Christoph von Dohnányi, Opernhaus, Zurich, Suisse

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