Name: Mozart the Radical
Start: 2022-02-10T00:00:00.000Z
End: 2022-02-13T00:00:00.000Z
Location: Herbst Theater

Organization

Conductor

Richard Egarr

Pianist

Singer

Soprano

Elizabeth Watts

Others

Philharmonia Baroque Orchestra & Chorale

Mozart the Radical

Berkeley

United States

Palo Alto

San Francisco

Herbst Theater

Mozart the Radical: Concert

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Tenor

Contralto

Mezzo-soprano

Bass

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart was a composer who loved to test boundaries, and in his Symphony No. 38, you hear him pushing the orchestra of the day to the limit, expanding the horizons of the symphony. It’s a veritable smorgasbord of invention, a riot of creativity.

At the start of the finale, Mozart cheekily squeezes in a little snippet of music from The Marriage of Figaro, so it’s only appropriate that we showcase some of his operatic writing too, including the concert aria “Will I forget you? … Fear not, beloved,” here with Elizabeth Watts in her PBO debut.

Dark, tragic, and passionate, Mozart’s Concerto No. 24 was admired by none other than Beethoven, and for this concert, the original textures and sounds of the work are revealed with Richard Egarr performing it on a fortepiano, the instrument for which it was written.

English

Mozart the Radical by Various, Nuo (2022/2022), Dirigentas Richard Egarr, Herbst Theater, San Francisco, United States

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