Name: Norma
Start: 2023-11-12T00:00:00.000Z
End: 2023-11-18T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Conductor

Yves Abel

Pedro Bartolomé

Stage director

Nicola Berloffa

Set designer

Andrea Belli

Costume designer

Valeria Donata Bettella

Lighting designer

Marco Giusti

Giorgio Valerio

Singer

Soprano

Yolanda Auyanet

Norma

Berna Perles

Raffaella Lupinacci

Adalgisa

Andrea Niño

Tenor

Francesco Demuro

Pollione

Bass

Rubén Amoretti

Oroveso

Luis López Navarro

Mireia Pintó

Clotilde

Néstor Galván

Flavio

Assistant Director

Luigia Frattaroli

Teatro Maestranza

Fondazione Teatri di Piacenza

Teatro Comunale di Modena

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Joseph Dahdah

Seville

Spain

Teatro de la Maestranza

Sala Principal

Norma Bellini

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Clotilde-Norma

Pasión, belicismo y bel canto

En el contexto de una guerra continua, ante los escombros de una sociedad derrotada y conquistada, mostrando el conflicto entre vencedores y vencidos, se manifiestan los delirios amorosos y los celos de Norma, seguramente la heroína más grande surgida de la pluma de Bellini. Norma es una ópera mítica, pues además de contener una de las arias más conmovedoras y populares -Casta Diva- hecha suya por algunas de las grandes cantantes de la historia, como Maria Callas, a quien homenajeamos con la programación de una de las obras que la hizo más famosa, en el centenario de su nacimiento, Joan Sutherland o Montserrat Caballé, que la enarbolaron como un ejemplo de complejidad y rotundidad femeninas, aúna valores de devoción, maternidad y rivalidad vengativa que la convierten en una transgresora heroína del melodrama belcantista.

Desde su estreno en la Scala de Milán en 1831, la dramática historia de la suma sacerdotisa y el procónsul romano Pollione, ha encendido los auditorios con su explosión de deslumbrantes exigencias vocales y belleza melódica.

Con un magnífico doble reparto donde destacan, bajo la dirección del maestro Yves Abel y el director de escena Nicola Berloffa, Yolanda Auyanet, Francesco Demuro, Raffaella Lupinacci y Rubén Amoretti, el Teatro de la Maestranza presenta un título que, como Tristán e Isolda -por cierto, Wagner admiraba Norma- pivota sobre grandes conceptos opuestos y que, en un entorno de ardientes pasiones, belicismo y fanatismo religioso, nos atrapa en la tela de araña melódica y vocalmente exquisita que, admirablemente, fue compuesta por Bellini en menos de tres meses.

español

Passion, warmongering and bel canto

In the context of a continuous war, before the rubble of a defeated and conquered society, showing the conflict between winners and losers, Norma's delusions of love and jealousy are manifested, surely the greatest heroine to emerge from Bellini's pen. Norma is a mythical opera, as well as containing one of the most moving and popular arias - Casta Diva- endorsed by some of the great singers in history, such as Maria Callas, whom we honor with the programming of one of the works that made her most famous, on the centenary of her birth, Joan Sutherland or Montserrat Caballé, who raised her As an example of female complexity and forcefulness, she combines values ​​of devotion, maternity and vengeful rivalry that make her a transgressive heroine of bel canto melodrama.

Since its premiere at Milan's La Scala in 1831, the dramatic tale of high priestess and Roman proconsul Pollione has set auditoriums ablaze with its explosion of dazzling vocal demands and melodic beauty.

With a magnificent double cast where, under the direction of maestro Yves Abel and stage director Nicola Berloffa, Yolanda Auyanet, Francesco Demuro, Raffaella Lupinacci and Rubén Amoretti stand out, the Teatro de la Maestranza presents a title that, like Tristán and Isolde - by the way, Wagner admired Norma - pivots on great opposite concepts and which, in an environment of burning passions, warmongering and religious fanaticism, traps us in the melodic and vocally exquisite spider web that, admirably, was composed by Bellini in less than three months.

English

Norma by Bellini, -tól (2023/2023), Rendezte Nicola Berloffa,, Karmester Yves Abel, Pedro Bartolomé, Teatro de la Maestranza, Seville, Spain

Előadás kreditek (Szereplők & Stáb )

Öntvény

Legénység

Együttes

Társproducer

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek