Organization

Певец

Бас-баритон

Clive Bayley

Tirésias

Тенор

Yann Beuron

Laïos

Видеодизайнер

Stéphane Pougnand

Сопрано

Anna-Sophie Neher

Antigone

Баритон

Brian Mulligan

Créon

Меццо-сопрано

Ekaterina Gubanova

Jocaste

Clémentine Margaine

The Sphinx

Vincent Ordonneau

Shepherd

Бас

Laurent Naouri

High Priest

Контральто

Anne Sofie von Otter

Mérope

Christopher Maltman

Oedipe

Adrian Timpau

Thésée

Nicolas Cavallier

Phorbas

Daniela Entcheva

Thebans

Режиссер-постановщик

Wajdi Mouawad

Дирижер

Ingo Metzmacher

Художник по свету

Eric Champoux

Художник по костюмам

Emmanuelle Thomas

Художник-постановщик

Emmanuel Clolus

Драматург

Charlotte Farcet

Хормейстер

Chin-Lien Wu

Opéra National de Paris

Others

Maîtrise des Hauts-de-Seine

Orchestra

Paris Opera Orchestra

французский

Oedipe -  (Эдип)

Париж

Франция

Opéra Bastille

To compose his masterwork, Enescu combined two Greek tragedies by Sophocles in order to tell the full story of Oedipus—Brilliantly brought to life by baritone Christopher Maltman—instead of solely setting the episode for which he has become infamous. “We are telling the story of a human being, [...] his whole life from its beginning to its end” explains stage director Wajdi Mouawad, “Oedipus is a taboo, he is a punishment incarnate” inflicted to his father Laïos (the excellent Yann Beuron) who will also cause the downfall of his mother, Queen Jocasta (the marvellous Ekaterina Gubanova). When Sophocles’s play premiered, the city of Athens was ravaged by a plague: “one needs to imagine a decimated city, where Apollo says ‘a crime was committed, it needs to be put right’. Then it turns out that the king, the one leading the investigation, discovers that he is the crime, that he is guilty”. This famous episode of Greek mythology, implanted in our own cultural and even linguistic landscape, shines in a new and different light in Enescu’s version, more subtle due to the importance of symbolism. The tale of Oedipus and the questions his legend raises were as relevant in Antiquity as they are in the 21st century.

Emmanuelle Thomas’s gorgeous costumes, Emmanuel Clolus’s sober scenography, as well as the talent of the performers: all contribute to immersing the audience in a fantastic and eternal world.