Name: Omar
Start: 2022-05-27T00:00:00.000Z
End: 2022-06-12T00:00:00.000Z
Location: Sottile Theatre

Organization

Spoleto Festival USA

Singer

Bass-baritone

Malcom MacKenzie

John Owen

Catherine Daniel

Katie Ellen

The Caller

Adam Klein

Master Taylor

Tenor

Jamez McCorkle

Omar Ibn Said

Laquita Mitchell

Julie Laquita

Master

Mezzo-soprano

Cheryse McLeod Lewis

Omar's Mother

Auctioneer

Soprano

Rebecca Jo Loeb

Little Daughter

Baritone

Michael Redding

Man to be Sold

Omar's Brother

Conductor

John Kennedy

Stage director

Kaneza Schaal

ingelesa

Omar

Charleston

United States

Sottile Theatre

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Singing Katie Ellen at the Spoleto Festival

Sons. Teachers. Farmers. Mothers. Of the millions of lives forever altered or lost by forced ocean crossings, how many of their stories are known? 

This world premiere opera from Rhiannon Giddens and Michael Abels narrates Omar Ibn Said’s 1831 autobiography, beginning long before the 37-year-old West African scholar was made to board a ship bound for Charleston, South Carolina—the site of his enslavement and sale. And though his memoir ends some 30 years before he was laid to rest, still enslaved, this record of his life and Muslim faith reveals a refusal to be defined or erased by his captors. It’s a seminal work of strength, resistance, and religious conviction—a work underscoring the indelible power of the written word.

English

Omar by Giddens, Noiztik (2022/2022), Zuzendaria Kaneza Schaal,, Zuzendaria John Kennedy, Sottile Theatre, Charleston, United States

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