Name: Orchestre National de France
Start: 2023-03-30T00:00:00.000Z
End: 2023-03-30T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Cristian Măcelaru

Singer

Soprano

Diana Damrau

Théâtre des Champs-Elysées

Orchestra

Orchestre National de France

Paris

France

Orchestre National de France: Recital Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Tenor

Bass

Countertenor

Contralto

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Diana Damrau: Recital Various

This is a program that requires no justification other than the pleasure of listening to three of the most beautiful works in the orchestral repertoire. Le Tombeau resplendissant , first of all, as its title indicates, is a splendid page, which is one of the very first scores written for the orchestra by Messiaen, and which was premiered by the great Pierre Monteux. The Pathetic Symphony , with its melancholic waltz and its frantic march, ends like a silent requiem. Between the two, Diana Damrau will reunite with Richard Strauss, a greedy cantor inspired by the female voice, and will ask the famous question which is the very issue of Capriccio  : “  Prima la musica? e poi the word?  »

English

Voilà un programme qui ne requiert aucune justification sinon le plaisir d’écouter trois œuvres parmi les plus belles du répertoire pour orchestre. Le Tombeau resplendissant, d’abord, comme son titre l’indique, est une page splendide, qui fait partie des toutes premières partitions écrites pour l’orchestre par Messiaen, et qui fut créée par le grand Pierre Monteux. On ne présente plus la Symphonie pathétique, avec sa valse mélancolique et sa marche frénétique, qui s’achève à la manière d’un requiem muet. Entre les deux, Diana Damrau retrouvera Richard Strauss, chantre gourmand et inspiré de la voix féminine, et posera la célèbre question qui est l’enjeu même de Capriccio : « Prima la musica ? e poi le parole ? »

français

Orchestre National de France by Various, Nuo (2023/2023), Dirigentas Cristian Măcelaru, Théâtre des Champs-Elysées, Paris, France

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