Name: Orlando
Start: 2016-02-24T00:00:00.000Z
End: 2016-02-24T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Mezzo-soprano

Iestyn Davies

Orlando

Soprano

Erin Morley

Angelica

Rupert Enticknap

Medoro

Carolyn Sampson

Dorinda

Bass

Shen Yang

Zoroastro

Conductor

Harry Bicket

MusikTheater an der Wien

Orchestra

The English Concert

италиански

Vienna

Austria

Theater an der Wien

Orlando Händel

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Baritone

Bass-baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

In his opera Orlando , written for London's King's Theater on Haymarket , George Frideric Handel referred to the story of the lovable knight from Ludovico Ariosto's epic Orlando furioso (1532). Battle-hardened Orlando goes into a frenzy when his beloved Angelica prefers the warrior Medoro. The magician Zoroastro succeeds in freeing Orlando from his madness of love by pretending to be different illusions and leading him back on the path of reason. Handel did everything he could for this unusual libretto; Orlando is not for nothingas one of his most imaginative scores. The Handel specialist Reinhard Strohm judged the title role, composed for the cast star Francesco Bernardi alias Senesino, to be “the only one who touches all affects, key areas and vocal styles; he has heroic, virtuoso, desperate and even meditative arias to sing ”. Of course there is also a great mad scene that ties in with the English tradition of “mad songs”. Senesino ended his collaboration with Handel with this role: the vain singer had fallen out with the choleric composer so much that just a few weeks after the end of the performance series he defected to the rival company, the so-called Opera of the Nobility.

English

Orlando by Händel, от (2016/2016), диригент Harry Bicket, Theater an der Wien, Vienna, Austria

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