Organization

Konzeption

Kristina Franz

Singer

Soprano

Viola Zimmermann

Juno

Mezzo-soprano

Public Opinion

Conductor

Rasmus Baumann

Lighting designer

Thomas Ratzinger

Dramaturge

Anna-Maria Polke

Tenor

Philipp Werner

Orpheus

Peter Kattermann

Chorus master

Alexander Eberle

Margot Genet

Eurydice

Martin Homrich

Aristaeus / Pluto

Christopher Hochstuhl

Ileana Mateescu

Baritone

Joachim G Maaß

Jupiter

Philipp Kranjc

John Styx

Tobias Glagau

Mercury

Wendy Krikken

Minerva

Dongmin Lee

Cupid

Almuth Herbst

Venus

Bass

Mars

Bele Kumberger

Diana

Musiktheater im Revier

Orchestra

Neue Philharmonie Westfalen

Others

Opernstudio NRW

MiR Opera Ensemble

Orphée aux enfers -  (Orpheus in the Underworld)

Gelsenkirchen

Germany

Kleines Haus

Großes Haus

Public

Orpheus in the Underworld

Approved

Orpheus and Eurydice have had better days. Affairs and disputes shape everyday marriage. The unfaithful music teacher is so happy when he learns that his wife has been kidnapped into the underworld by the god of hell Pluto. But the enthusiasm does not last, because public opinion is already standing before him and appealing to his morals. Inevitably, Orpheus makes his way to Olympus to get his wife back. The comic opera “Orpheus in the Underworld” advanced to global success with its parody of the political conditions of the Second Empire, the caricatures of mythological figures and the exposure of pseudo social morality. But who or what is public opinion today in a world in which a clear moral authority seems to have disappeared?

English

Orpheus in the Underworld by Offenbach, Alkaen (2021/2022), Musiikinjohto Rasmus Baumann, Peter Kattermann, Musiktheater im Revier, Gelsenkirchen, Germany

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