Organization

Maestro

Niksa Bareza

Hari Zlodre

Diretor de Palco

Ozren Prohić

Estilista

Irena Sušac

Cenógrafo

Dubravka Lošić

Coreógrafo

Jasna Frankić Brkljačić

Mestre de Coro

Ana Šabašov

Designer de Iluminação

Zoran Mihanović

Cantor

Barítono

Bojan Šober

Jupiter

Soprano

Adela Golac Rilović

Eurydice

Tenor

Sveto Matošić Komnenović

Aristée/Pluton

Ante Ivić

Orphée

Vinko Maroević

Mercure

Snjezana Katic

Diane

Mezzo-soprano

Renata Pokupić

Cupidon

Marija Bubic

Minerve

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Orphée aux enfers -  (Orfeu no Inferno)

Split

Croácia

Orphée aux enfers Offenbach

Public

Orfeu no Inferno

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Dançarino

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baixo-barítono

Baixo

Contratenor

Alto

Silent

Spoken

Vocalista Infantil

Offenbach was an astonishingly fast and prolific composer. He easily found catchy melodies that he would introduce with the skill of a genius into the rhythms of the popular dances of the time and the frames of the city's, Parisian musical folklore. Offenbach's stage parodies or operetta satires dissect all layers of society with surgical precision, not even avoiding its top.

The best example of his active creative relationship with the environment is Orpheus in the Underground, one of the master's most famous operettas in which the object of satire is the highest level of government. In fact, Orpheus illuminated the background against which the scenes of dictatorship unfolded. It is easy to see contemporary analogies with Jupiter, the father of the gods who lurks on every pretty face, with Juno,

his wife, who is consumed by jealousy, with the double click of the gods who follow the example of their master...

English

Offenbach je bio zapanjujuće brz i plodan skladatelj. Lako je pronalazio dopadljive melodije koje bi vještinom genija unosio u ritmove ondašnjih popularnih plesova i okvire gradskoga, pariškoga glazbenog folklora. Offenbachove scenske parodije ili operetne satire kirurškom preciznošću seciraju sve slojeve društva, ne izbjegavajući ni njegov vrh.
Najbolji primjer njegova aktivnog stvaralačkog odnosa prema sredini je Orfej u podzemlju, jedna od najglasovitijih majstorovih opereta u kojoj je objekt satire najviši vrh vlasti. Zapravo, Orfej je osvijetlio pozadinu pred kojom su se odvijali prizori diktature. Lako je uočiti suvremene analogije s Jupiterom, ocem bogova koji vreba na svako ljepuškasto lice, s Junonom,

njegovom suprugom, koju proždire ljubomora, s dvostrukom klikom bogova koji slijede primjer svojega gospodara...

hrvatski

Orfeu no Inferno by Offenbach, De (1999/1999), Dirigido por Ozren Prohić,, Regente Niksa Bareza, Hari Zlodre, HNK, Split, Croácia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos