Organization

Regie

Nilufar K. Münzing

Dirigat

Joseph Trafton

Lichtgestaltung

Hans-Joachim Köster

Kostümbild

Uta Gruber-Ballehr

Bühnenbild

Britta Lammers

Dramaturgie

Rebecca Graitl

Chordirektion

Wolfgang Müller-Salow

Sänger

Tenor

Matthew Overmeyer

Erster Gralsritter

Bass

Shin Yeo

Zweiter Gralsritter

Bariton

Insu Hwang

Amfortas

Ivo Stánchev

Titurel

Dong-Won Seo

Gurnemanz

Corby Welch

Parsifal

Bass-Bariton

Jaco Venter

Klingsor

Sopran

Angela Davis

Kundry

Anton Kuzenok

Kenneth Mattice

Penny Sofroniadou

Erster Knappe

Evelyn Krahe

Zweiter Knappe

Dritte Knappe

Richard van Gemert

Vierter Knappe

Fang Cai

Klingsors Zaubermädchen 1

Klingsors Zaubermädchen 2

Clara Fréjacques

Klingsors Zaubermädchen 3

Franziska Giesemann

Klingsors Zaubermädchen 4

Karola Sophia Schmid

Klingsors Zaubermädchen 5

Klingsors Zaubermädchen 6

Stimme aus der Höhe

Theater Hagen

Deutsch

Hagen

Deutschland

Münster

Konzert Theater Coesfeld

Parsifal Wagner,Richard

Public

Genehmigt

Eine Wunde, die nicht verheilt, quält den Gralskönig Amfortas: Sein Gegner Klingsor fügte ihm diese Verletzung zu, als er ihm den heiligen Speer entwendete. ...

A wound that does not heal torments the Grail King Amfortas: His opponent Klingsor inflicted this injury on him when he stole the holy spear from him. The knights, who guard the Holy Grail and promise eternal life, try to help Amfortas - but according to the prophecy only a "clean fool" can save him. When the inexperienced Parsifal joins the community, the Grail knight Gurnemanz thinks he recognizes the prophesied savior in him. But Parsifal first has to go through painful experiences of his own before the strength of compassion is revealed to him and he can find his place in the Brotherhood of the Grail.

Richard Wagner described the last opera he composed as his "most reconciling work". He combines elements of Christian, Buddhist and Hindu beliefs with motifs from myths and legends to create his own Parsifal myth. Wagner's composition fascinates with its sophisticated leitmotif technique and mystical sound spheres - Thomas Mann wrote that the score is "full of sounds, which one follows with ever new unrest, curiosity and enchantment."

After Tristan and Isolde , the Hagen Theater is again showing a monumental work by Richard Wagner in its own interpretation.

English

Parsifal by Wagner, Richard, Ab (2022/2022), Unter der Regie von Nilufar K. Münzing,, Dirigat Joseph Trafton, Theater Hagen, Hagen, Deutschland

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