Organization

Regia

Nilufar K. Münzing

Direzione d'orchestra

Joseph Trafton

Luci

Hans-Joachim Köster

Costumi

Uta Gruber-Ballehr

Scenografia

Britta Lammers

Drammaturgia

Rebecca Graitl

Direzione del coro

Wolfgang Müller-Salow

Cantante

Tenore

Matthew Overmeyer

1. Cavaliere del Graal

Basso

Shin Yeo

2. Cavaliere del Graal

Baritono

Insu Hwang

Amfortas

Ivo Stánchev

Titurel

Dong-Won Seo

Gurnemanz

Corby Welch

Parsifal

Basso-baritono

Jaco Venter

Klingsor

Soprano

Angela Davis

Kundry

Anton Kuzenok

Kenneth Mattice

Penny Sofroniadou

1. scudiero

Contralto

Evelyn Krahe

2. scudiero

3. scudiero

Richard van Gemert

4. scudiero

Fang Cai

1. fanciulla fiore

2. fanciulla fiore

Clara Fréjacques

3. fanciulla fiore

Franziska Giesemann

4. fanciulla fiore

Karola Sophia Schmid

5. fanciulla fiore

6. fanciulla fiore

Voce dall'alto

Theater Hagen

tedesco

Hagen

Germania

Münster

Konzert Theater Coesfeld

Parsifal Wagner,Richard

Public

Approvato

Eine Wunde, die nicht verheilt, quält den Gralskönig Amfortas: Sein Gegner Klingsor fügte ihm diese Verletzung zu, als er ihm den heiligen Speer entwendete. ...

A wound that does not heal torments the Grail King Amfortas: His opponent Klingsor inflicted this injury on him when he stole the holy spear from him. The knights, who guard the Holy Grail and promise eternal life, try to help Amfortas - but according to the prophecy only a "clean fool" can save him. When the inexperienced Parsifal joins the community, the Grail knight Gurnemanz thinks he recognizes the prophesied savior in him. But Parsifal first has to go through painful experiences of his own before the strength of compassion is revealed to him and he can find his place in the Brotherhood of the Grail.

Richard Wagner described the last opera he composed as his "most reconciling work". He combines elements of Christian, Buddhist and Hindu beliefs with motifs from myths and legends to create his own Parsifal myth. Wagner's composition fascinates with its sophisticated leitmotif technique and mystical sound spheres - Thomas Mann wrote that the score is "full of sounds, which one follows with ever new unrest, curiosity and enchantment."

After Tristan and Isolde , the Hagen Theater is again showing a monumental work by Richard Wagner in its own interpretation.

English

Parsifal by Wagner, Richard, Da (2022/2022), Diretto da Nilufar K. Münzing,, Direttore d'orchestra Joseph Trafton, Theater Hagen, Hagen, Germania

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