Name: Perspectives: Philip Glass Cocteau Trilogy
Start: 2024-06-15T00:00:00.000Z
End: 2024-06-15T00:00:00.000Z
Location: National Concert Hall (NCH)

Admin

Barbican Centre

Cité Musicale - Metz

Opéra National de Bordeaux

National Concert Hall

Cité de la Musique-Philharmonie

Instrumentalist

Katia Labèque

Piano I

Marielle Labèque

Piano II

Perspectives: Philip Glass Cocteau Trilogy

Dublin

Irland

National Concert Hall (NCH)

Main Stage

Perspectives: Philip Glass Cocteau Trilogy: La Belle et la Bête Glass (+2 More)

Public

Private

Skönheten och Odjuret

Les Enfants Terribles

Orphée

Jnanakumar P

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Dansare

Dirigent

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Sångare

Soprano

Bass

Bass-baritone

Countertenor

Baritone

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

NCH is pleased to collaborate on this new commission by Katia and Marielle Labèque for Phillip Glass. 

In 1964, at the age of 27, Philip Glass moved to Paris to study under Nadia Boulanger. Their meeting would prove decisive in the young composer’s training and afforded him an immersion into French culture that left a lasting impression on the artist. His love of France also gave him a command of the French language that would help him to write and versify the operas that he dedicated to Cocteau during the 1990s.

In 2021, Katia and Marielle Labèque created the instrumental suites for two pianos taken from Philip Glass’s opera Les Enfants Terribles, based on the film by Cocteau. The success of both the record and their concerts – held at venues including the Philharmonie de Paris – left the pianists all the more eager to ask Philip Glass and his music director Michael Riesman to complete the trilogy by applying the same method to the remaining two operas in the Cocteau Trilogy: Orphée and La Belle et la Bête.

Katia and Marielle Labèque are renowned for the energy and synchronicity of their duets. They are regularly invited as guest performers by the most prestigious orchestras, including the Berlin Philharmonic, Bayerischer Rundfunk, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Leipzig Gewandhaus, the London Symphony Orchestra, the London Philharmonic Orchestra, the Los Angeles Philharmonic, the Orchestre de Paris, the Staatskapelle Dresden, the Royal Concertgebouw Amsterdam, and the Vienna Philharmonic, led by conductors such as Marin Alsop, Semyon Bychkov, Gustavo Dudamel, Gustavo Gimeno, Mirga Gražinytė-Tyla, Pietari Inkinen, Louis Langrée, Zubin Mehta, Andrés Orozco-Estrada, Seiji Ozawa, Antonio Pappano, Matthias Pintscher, Georges Prêtre, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen, Michael Tilson Thomas, and Jaap van Zweden.

The concert is presented in a special design by acclaimed French director Cyril Teste (Artistic Director) and Nina Chalot (Stage Design).

Produced by Philharmonie de Paris in a Co-production with Barbican Centre, National Concert Hall - Dublin, Cité Musicale - Metz, Opéra National de Bordeaux.

English

Perspectives: Philip Glass Cocteau Trilogy by Glass, Från (2024/2024), National Concert Hall (NCH), Dublin, Irland

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