Organization

Cantante

Barítono

Serban Vasile

Príncipe Jeletzki

Tenor

Carl Ghazarossian

Tschekalinski

Bajo

Guy Bonfiglio

Narúmov

Marc Larcher

Coronel Hugh Pickering

Mezzosoprano

Marie-Ange Todorovitch

Condesa

Soprano

Elena Bezgodkova

Lisa

Contralto

Marion Lebègue

Polina

Svetlana Lifar

Gobernante

Anne-Marie Calloni

Masha

Prilepa

Director(a) de escena

Olivier Py

Director(a) orquestal

Jurjen Hempel

Diseñador(a) de iluminación

Bertrand Killy

Diseñador(a) de vestuario/Figurinista

Pierre-André Weitz

Coreógrafo(a)

Daniel Izzo

Musical Studies

Kira Parfeevet

Escenógrafo(a)

Assistant Director

Decorator

Set assistant

Pierre Lebon

Milovzor

Aaron Cawley

Herman

Alik Abdukayumov

Conde Tomsky

Nika Guliashvili

Surin

Christophe Poncet de Solages

Chaplitzky

Zlatogor

Opéra Grand Avignon

Opéra de Marseille

Opéra Nice Côte d'Azur

Others

Toulon Opera Choir

Maîtrise de l´Opéra Grand Avignon

Orchestra

Toulon Opera Orchestra

Orchestre National Avignon-Provence

Régie culturelle régionale

Pikovaya Dama -  (La dama de picas)

Aviñón

Francia

Pikovaya Dama Tchaikovsky,P

Public

Private

La dama de picas

Válido

🔴 Teaser LA DAME DE PIQUEPiotr Ilitch Tchaïkovski Coproduction Région Sud Provence Alpes Côte d’Azur, Arsud, Opéra de Toulon, Opéra de Nice, Opéra Grand Avi...

At the end of the 19th century, Russia fell back on a conservatism that changed course: it turned away from Prussia and became more readily Francophile, an alliance sealed by the famous Russian borrowings. When he received an order for a French opera in the style ofCarmen , Modest Tchaikovsky, the composer's brother, adapts Alexander Pushkin 's Queen of Spades for the stage and transposes the plot to the 18th century – with strong memories of the court of Louis XV.

But make no mistake, it was in the land of the tsars that Piotr Ilitch Tchaikovsky set up the gaming tables, precisely in Saint Petersburg, at the heart of power and court society. The opera opens the curtain on a genre scene, a choir of toddlers playing in the Summer Garden with their governesses, continues in a ceremonial salon where Catherine II enters to the sound of a Russian melody, and culminates with the manifestation of a ghost on the quays of the Neva; the score that Tchaikovsky considers from its creation in 1890 as his masterpiece remains a pinnacle of Russian fantastic art. Nathalie Gendrot

English

La dama de picas by Tchaikovsky, P. I., De (2022/2022), Dirigido por Olivier Py,, Director Jurjen Hempel, Opéra Grand Avignon, Aviñón, Francia

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