Name: Poulenc's Stabat Mater
Start: 2025-02-22T00:00:00.000Z
End: 2025-02-23T00:00:00.000Z
Location: L'Auditori

Admin

L'Auditori

Conductor

Stephanie Childress

Singer

Soprano

Alexandra Lowe

Voice

soprano

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

Others

Cor de Cambra del Palau de la Música Catalana

Poulenc's Stabat Mater

Barcelona

Spain

Sala 1 Pau Casals

Public

Concert

Seven Spanish Folksongs

Four Sea Interludes from "Peter Grimes", Op. 33a

The Lamb

Stabat Mater

Samabedona Majumder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Countertenor

Mezzo-soprano

Baritone

Bass

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

The voice will play a central role in this concert, which will open with Manuel de Falla’s Siete canciones populares. The composer wanted to renew musical language by drawing on folk music, as Stravinsky and Bartók had also done elsewhere.

Benjamin Britten’s “Four Sea Interludes”, from his opera Peter Grimes, are orchestral pieces that will transport audiences to scenes linked to weather conditions and different times of day at sea.

John Tavener’s song The Lamb, composed for choir in 1984 with a text by William Blake, remains enigmatic but may be familiar to audiences due to its inclusion in Paolo Sorrentino’s film The Great Beauty (2013).

The importance of the voice in emotional life is clearly evident in Francis Poulenc’s Stabat Mater. Although less programmed than Pergolesi’s, it portrays the grief experienced when a loved one dies.

English

La voz tendrá un protagonismo capital en el concierto que inauguran las Siete canciones populares de Manuel de Falla, quien quiso renovar el lenguaje musical sumergiéndose en el folclore, como, en otras latitudes, también habían hecho Stravinski o Bartók.

Los “Four Sea Interludes” de Benjamin Britten, procedentes de su ópera Peter Grimes, son piezas orquestales con títulos manifiestamente vinculados a la luminosidad o a la meteorología marina, en las que el poder alusivo de la orquesta desplaza al oyente hasta allí.

El tema The Lamb de John Tavener, compuesto para coro en 1984 con texto del poeta William Blake, aún resuena enigmático y quizás también reciente en la memoria cinéfila del oyente por su presencia en La gran belleza (2013) de Paolo Sorrentino.

La incidencia de la voz en la vida afectiva adquiere una actualidad manifiesta en el Stabat Mater de Francis Poulenc. Menos programado sin duda que el de Pergolesi, refiere, sin embargo, el dolor experimentado en primerísima persona ante la muerte de un ser querido.

español

La veu tindrà un protagonisme capital en el concert que inauguren les Set cançons populars de Manuel de Falla, qui volgué renovar el llenguatge musical submergint-se en el folk, com, en altres latituds, també havien fet Stravinsky o Bartók.

Els “Four Sea Interludes” de Benjamin Britten, procedents de la seva òpera Peter Grimes, són peces orquestrals amb títols manifestament vinculats a la lluminositat o meteorologia marina, en què el poder al·lusiu de l’orquestra permet que l’oient s’hi pugui traslladar.

El tema The Lamb de John Taverner, compost per a cor el 1984 amb text del poeta William Blake, ressona encara enigmàtic i potser també recent en la memòria cinèfila de l’oient per la seva presència a La grande bellezza (2013) de Paolo Sorrentino.

La incidència de la veu en la vida afectiva s’evidencia d’una actualitat manifesta a l’Stabat Mater de Francis Poulenc. Menys programat sens dubte que el de Pergolesi, refereix, amb tot, el dolor experimentat en primeríssima persona davant la mort d’un ésser estimat.

català

Poulenc's Stabat Mater by Falla, Britten, Tavener, Poulenc, De la (2025/2025), Dirijor Stephanie Childress, L'Auditori, Barcelona, Spain

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