Organization

Direction d'orchestre

Thibault Noally

Chanteur

Soprano

Paul-Antoine Benos-Djian

Mitridate

Mezzo-soprano

Anthea Pichanick

Antigono

Julia Lezhneva

Laodice

Vivica Genaux

Stratonica

Sophie Rennert

Nicomede

Ténor

Victor Sicard

Farnace

Orchestra

Les Accents

Omroep Muziek

Het Concertgebouw

Countertenor

Alto

Mezzosoprano

Baritone

Power play in Scarlatti's most dramatic opera

Amsterdam

Pays-Bas

Grote Zaal

Power play in Scarlatti's most dramatic opera: Il Mitridate Eupatore Scarlatti, A.

Public

Private

Mithridate Eupator

Valide

For several seasons, the Matinee has been performing works by Alessandro Scarlatti, already underrated in his time. But: Il Mitridate Eupatore - what a work!

Great cast
Alessandro Scarlatti represents the important connection between the seventeenth century of Monteverdi and Cavalli, and the eighteenth century of Vivaldi and Handel. Mitridate, a role written for a soprano castrato, is the rightful heir to the kingdom of Pontus on the Black Sea. With the help of his sister Laodice, he chases away the usurper Farnace. The title role will now be performed by young French countertenor Paul-Antoine Bénos-Djian, while good acquaintances will return to Amsterdam: soprano Julia Lezhneva and mezzo-soprano Vivica Genaux.

Scarlatti's best work
For the first time, Scarlatti brings only serious characters to the stage - the mix with comic characters was seen as something out of seventeenth-century Venice. Also, the power play plays a bigger role than the love intrigues. Perhaps that is why this unique Mitridate was not a success at its premiere at the Venetian Teatro San Giovanni Grisostomo. Connoisseurs nevertheless consider this opera Scarlatti's best work, full of beautiful arias and a use of counterpoint that is actually not inferior to the best Bach.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Coproducteur