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Semperoper Dresden

Soprano

Tuuli Takala

Teresa

Others

Sächsischer Staatsopernchor Dresden

Conductor

Giampaolo Bisanti

Oscar Jockel

Stage director

Barbora Horáková

Set designer

Aída-Leonor Guardia Beier

Costume designer

Eva Butzkies

Lighting designer

Stefan Bolliger

Chorus master

Jonathan Becker

Dramaturge

Benedikt Stampfli

Singer

Tenor

Anton Rositskiy

Benvenuto Cellini

Bass

Ante Jerkunica

Balducci

Baritone

Jérôme Boutillier

Fieramosca

Tilmann Rönnebeck

Pope Clement VII

Aaron Pegram

Francesco

Vladyslav Buialskyi

Bernardino

Matthias Henneberg

Pompeo

Mezzo-soprano

Stepanka Pucalkova

Ascanio

Jürgen Müller

An innkeeper

Anton Beliaev

An Officer

Orchestra

Staatskapelle Dresden

franceză

Dresden

Germany

Semperoper

Public

Sharan Allad

germană

engleză

Approved

Hector Berlioz (1803–1869) schafft in seiner frühen Oper »Benvenuto Cellini«, die 1838 in Paris uraufgeführt wurde, ein phänomenales Kunstwerk, das einen der bedeutendsten Künstler des 16. Jahrhunderts zum Protagonisten macht: Benvenuto Cellini. Zwar skizziert die Oper nur drei Tage – die Zeit zwischen Rosenmontag und Aschermittwoch 1532 in Rom – aus dem schillernden Leben des florentinischen Bildhauers, die jedoch stürmisch genug sind: Nach turbulenten Stunden im Treiben des Karnevals, bei dem Cellini einen Kontrahenten erschlägt, ist er am Ende dennoch der glückliche Sieger.

Für den phänomenalen und höchst differenzierten Umgang mit den Instrumenten in seinem Orchester war Hector Berlioz bekannt und fand viele Bewunderer u.a. auch Richard Wagner. Die vielfältige Partitur beinhaltet sowohl großflächig angelegte Tableaus mit ihren mitreißenden Chorszenen, bis hin zu kammertheatralen Situationen, die einzigartig instrumentiert sind. Dadurch schafft er ein karnevaleskes Stimmungsbild, das seinesgleichen sucht.

Deutsch

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803-1869) produced an astonishing work of art centred around one of the most important artists of the 16th century. Although the opera sketches only three days in the colourful life of the Florentine sculptor, namely between Shrove Monday and Ash Wednesday in 1532, they are tumultuous enough: After several hours in the hustle and bustle of carnival celebrations in Rome, during which Cellini fatally stabs an enemy, the artist nevertheless enjoys sweet victory at the story’s end.

Hector Berlioz was known for his phenomenally differentiated use of the orchestra and its instruments. His many admirers included Richard Wagner. The richly varied score ranges from large-scale tableaux with rousing choral passages to uniquely orchestrated chamber scenes. In this way, Berlioz creates an unparalleled musical depiction of revelry at carnival time.

English

Benvenuto Cellini by Berlioz, De la (2024/2024), Regizat de către Barbora Horáková,, Dirijor Giampaolo Bisanti, Oscar Jockel, Semperoper, Dresden, Germany

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