Name: Pygmalion Pichon Mendelssohn Bartholdy: Elias
Start: 2023-12-11T00:00:00.000Z
End: 2023-12-11T00:00:00.000Z
Location: Wiener Konzerthaus

Organization

Maestro

Raphaël Pichon

Cantor

Soprano

Siobhan Stagg

Die Witwe

Julie Roset

Contralto

Ema Nikolovska

Ein Engel

Tenor

Thomas Atkins

Obadjah

Baixo-barítono

Stéphane Degout

Elias

Others

Ensemble Pygmalion

Wiener Konzerthaus

Choeur Pygmalion

Pygmalion / Pichon Mendelssohn Bartholdy: Elias

Viena

Áustria

Großer Saal

Pygmalion / Pichon Mendelssohn Bartholdy: Elias: Elias Mendelssohn

Public

Eliseu

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo

Contratenor

Barítono

Mezzo-soprano

Alto

Silent

Spoken

Vocalista Infantil

“Whoever perseveres to the end will be saved.”
400 musicians - choir and orchestra combined - performed the acclaimed premiere of Mendelssohn's second oratorio in Birmingham. "The last note of 'Elias' was drowned in a unison of never-ending volleys of applause," wrote a critic from the Times. “It was as if the long-pent-up enthusiasm had finally burst out and filled the air with wild screams of excitement.” Eight numbers had to be repeated. The two main reasons for Mendelssohn's landslide victory were, on the one hand, the gripping, dramatic structure of the work in general and the choruses in particular, set in the best Handelian style. When Raphaël Pichon leads the choir and orchestra of his original sound ensemble Pygmalion through Mendelssohn's effective score, you can be sure of its overwhelming effect.

English

»Wer bis an das Ende beharrt, der wird selig.«
400 Musiker:innen – Chor und Orchester zusammengenommen – bestritten die umjubelte Uraufführung von Mendelssohns zweitem Oratorium in Birmingham. »Die letzte Note des ›Elias‹ ging unter in einem Unisono von nicht enden wollenden Applaussalven«, schrieb ein Kritiker der »Times«. »Es war, als hätte der lang gestaute Enthusiasmus sich endlich Bahn gebrochen und die Luft mit wilden Schreien der Begeisterung erfüllt.« Acht Nummern mussten wiederholt werden. Die zwei Hauptgründe für diesen Erdrutschsieg Mendelssohns waren einerseits die packende dramatische Anlage des Werks im Allgemeinen und die in bester Händel'scher Manier gesetzten Chöre im Besonderen. Wenn nun Raphaël Pichon Chor und Orchester seines Originalklangensembles Pygmalion durch Mendelssohns effektvolle Partitur leitet, darf man sich ihrer überwältigenden Wirkung sicher sein.

Deutsch

Pygmalion / Pichon Mendelssohn Bartholdy: Elias by Mendelssohn, De (2023/2023), Regente Raphaël Pichon, Wiener Konzerthaus, Viena, Áustria

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Avaliações

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos