Name: Rienzi, der letzte der Tribunen
Start: 2013-08-01T00:00:00.000Z
End: 2013-08-01T00:00:00.000Z
Location: Théâtre du Capitole

Organization

Director(a) orquestal

Pinchas Steinberg

Director(a) de escena

Jorge Lavelli

Escenógrafo(a)

Ricardo Sánchez Cuerda

Diseñador(a) de vestuario/Figurinista

Francesco Zito

Diseñador(a) de iluminación

Roberto Traferri

Cantante

Tenor

Torsten Kerl

Rienzi

Soprano

Marika Schönberg

Irene

Bajo

Richard Wiegold

Steffano Colonna

Mezzosoprano

Daniela Sindram

Adriano

Stefan Heidemann

Paolo Orsini

Robert Bork

Kardinal Orvieto

Marc Heller

Baroncelli

Leonardo Neiva

Cecco del Vecchio

Jennifer O'Loughlin

Friedensbote

Director(a) coral

Alfonso Caiani

Opéra national du Capitole

Others

Chœur de l’Opéra national du Capitole

Coro dell'Accademia Teatro alla Scala

Orchestra

Orchestre National du Capitole de Toulouse

alemán

Rienzi, der letzte der Tribunen

Toulouse

Francia

Théâtre du Capitole

Rienzi, one of Wagner’s masterpieces, has been a major success at the Théâtre du Capitole in Toulouse in recent years. For this production, the lyric theatre called upon renowned producer Jordi Lavelli and tenor Torsten Kerl. The Orchestre National du Capitole is conducted by Pinchas Steinberg.

Wagner composed Rienzi in Dresden in 1842 after reading the novel Rienzi, the Last of the Roman Tribunes (1835) by Edward Bulwer-Lytton. Aside from Richard Wagner and Edward Bulwer-Lytton, Cola di Rienzo, a famous historical figure, also inspired playwrights François Laignelot and Mary Russell Mitford. Rienzo, a young Roman in the 14th century, stood up to corruption in Rome's upper classes, to the point where the people acclaimed him as their new tribune. This incredible journey seems to be designed to be made into a tragedy, a novel or an opera. When Wagner adapted the story of this medieval hero, he was young and still seeking his own style; after Die Feen and Das Liebesverbot, Rienzi is the composer's first opera.

Jordi Lavelli's staging is modern, unlike the sumptuous 19th-century grand opera, and the scenery is simple. By limiting himself to the essential, Lavelli restores the force of this long score and puts the singers in the spotlight. In this setting, Torsten Kerl's intelligent singing style shines.

Public

francés

Válido

Programa de mano

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