Organization

Chanteur

Mezzo-soprano

Marija Bubic

Giovanna

Dajana Stolić Bohnert

Le page de la duchesse

Basse

Ivan Jakus

Un Huissier

Teo Turk

Direction d'orchestre

Niksa Bareza

Mise en scène

Ozren Prohić

Décors

Dubravka Lošić

Costumes

Irena Sušac

Direction de choeur

Ana Šabašov

Ténor

Ante Ivić

Le duc de Mantoue

Baryton

Franco Giovine

Rigoletto

Mark Holland

Soprano

Adela Golac Rilović

Gilda

Ivica Čikeš

Sparafucile

Contralto

Renata Pokupić

Maddalena

Ivica Šarić

Le Comte Monterone

Tonči Banov

Le Comte Ceprano

Snjezana Katic

La Comtesse Ceprano

Tomislav Bekić

Le Chevalier Marullo

Špiro Boban

Matteo Borsa

Vinko Maroević

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Zagreb

Croatie

Rigoletto Verdi

Public

Valide

Giuseppe Verdi RIGOLETTO
U razdoblju od 1850. do 1853. godine Verdi sklada tri svoje najpopularnije opere, Rigoletta, Trubadura i Traviatu, koje teoretičari nazivaju Velikom trilogijom.

Ta djela Verdiju su donijela svjetsku slavu i svrstala ga u vrh opernog stvaralaštva.

Oživljujući na sceni dotad neuobičajene likove iz građanske sredine (dvorsku ludu, Cigane, kurtizanu), Verdi se, iako konstrukcijom blizak romantičarskoj operi, približava verizmu. Majstorski prodire u psihu svojih likova te postiže vrhunac dramske napetosti u sukobu "polusvijeta" i velikog, licemjernog, povlaštenog i moćnog svijeta. Ovo remek-djelo glazbenog genija u svojoj nas glazbenoj misli vodi kroz tajna mjesta, atmosferu noći u čijim zakutcima se odvijaju sudbine koje često ne primjećujemo.

Novi Rigoletto, posvećen 100. obljetnici smrti G. Verdija, u čitanju maestra Nikše Bareze i režiji Ozrena Prohića, sigurno će odjenuti novo ruho vremena. U priči Rigoletta, ovaj nadasve uspješan autorski dvojac poznat po postavi Rossinijeva Turčina u Italiji, prepoznaje dekadenciju jednog društva s tenzijom raspadanja, gdje zabava nije samo zabava, nego medij koji određuje sudbine i usput ih odbacuje. Utoliko su one tragičnije.

hrvatski

Giuseppe Verdi RIGOLETTO
In the period from 1850 to 1853, Verdi composed three of his most popular operas, Rigoletto, Troubadour and La Traviata, which theorists call the Great Trilogy.

These works brought Verdi world fame and placed him at the top of opera creativity.

Bringing to life on the stage unusual characters from a bourgeois environment (a court madwoman, a gypsy, a courtesan), Verdi, although close to romantic opera in construction, approaches verism. He masterfully penetrates the psyche of his characters and reaches the peak of dramatic tension in the conflict between the "half world" and the big, hypocritical, privileged and powerful world. This masterpiece of a musical genius in his musical thought leads us through secret places, the atmosphere of the night in the corners of which destinies unfold that we often do not notice.

The new Rigoletto, dedicated to the 100th anniversary of the death of G. Verdi, read by maestro Nikša Bareza and directed by Ozren Prohić, will surely wear the new clothes of the times. In the story of Rigoletto, this highly successful author duo, known for Rossini's The Turk in Italy, recognizes the decadence of a society with the tension of disintegration, where entertainment is not just entertainment, but a medium that determines destinies and rejects them along the way. They are all the more tragic.

English

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