Organization

Director(a) orquestal

Anna Skryleva

Director(a) de escena

Anthony Pilavachi

Escenógrafo(a)

Tatjana Ivschina

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de iluminación

Michael Röger

Dramaturgia

Christian Geltinger

Cantante

Mezzosoprano

Nora Steuerwald

Giovanna

Contralto

Karin Lovelius

Maddalena

Tenor

Piotr Buszewski

Duque de Mantua

Barítono

Daniel Luis de Vicente

Rigoletto

Olafur Sigurdarson

Peter Dolinsek

El Conde de Monterone

Jonathan Michie

Marullo

Sven Hjörleifsson

Matteo Borsa

Bajo

Sejong Chang

Sparafucile

Randall Jakobsh

Gewandhaus Leipzig

Oper Leipzig

Others

Chor der Oper Leipzig

Orchestra

Gewandhausorchester

Director(a) coral

Thomas Eitler-de Lint

Frieder Flesch

Annika Sofia Westlund

Soprano

Athanasia Zöhrer

Gilda

Katharina von Hassel

Paje de la Duquesa

Maria-Teresa Martini

La Condesa de Ceprano

Christian Moellenhoff

El Conde de Ceprano

Marian Müller

Kathrin Göring

Bianca Tognocchi

Frank Wernstedt

Un ujier

italiano

Leipzig

Alemania

Opernhaus

Rigoletto Verdi

Public

Private

alemán

Válido

Da hat Rigoletto nichts mehr zu lachen: Als Hofnarr des notorischen Frauenhelden Herzog von Mantua ist es sein tägliches Brot, sich bösartig über die Opfer seines Herren und ihre gedemütigten Väter lustig zu machen, bis es eines Tages seine eigene Tochter Gilda ist, die in die Fänge des Herzogs gerät. Inspiriert von Victor Hugos Drama »Le roi s’amuse brachte Verdi mit »Rigoletto« einen zeitlosen Opernklassiker zu Papier.

Deutsch

Opera in three acts | Text by Francesco Maria Piave after the verse drama Le roi s’amuse (1832) by Victor Hugo | In Italian with German supertitles | Playing time ca. 3 hours | Two intermissions
»Le roi s’amuse«, translated into English as The King’s Fool, Victor Hugo’s acclaimed play, is the model for Verdi’s ever-popular opera »Rigoletto«. For his own personal amusement and that of his decadent court, the Duke of Mantua employs Rigoletto, his hunchbacked court jester. In anticipatory obedience, Rigoletto serves his master’s need for vulgar entertainment, not shying away from presenting his pleasure-seeking employer with the daughters of noble society on a silver platter. At home, he is a devoted father, who heavy-handedly protects his daughter Gilda from the darker side of humanity. But Rigoletto’s double life dooms him when Gilda falls in love with the Duke, in disguise as a young student. The Duke’s frivolous, laddish canzone (»La donna è mobile«) becomes a portent of death for Rigoletto. Anthony Pilavachi achieved national attention in the public as well as the press as the director of the Ring des Nibelungen in Lübeck, and turns his attention to this part of the so-called Trilogia popolare for Leipzig in the Verdi Year.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Coproductor