Name: Roberto Devereux
Start: 2022-11-08T00:00:00.000Z
End: 2022-11-12T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Певец

Сопрано

Yolanda Auyanet

Елизавета

Дирижер

Yves Abel

Режиссер-постановщик

Alessandro Talevi

Художник-постановщик

Madeleine Boyd

Художник по костюмам

Художник по свету

Matthew Haskins

Хореограф

Maxine Braham

Баритон

Franco Vassallo

Герцог Ноттингемский

Меццо-сопрано

Nancy Fabiola Herrera

Сара

Тенор

Ismael Jordi

Роберто Деверо

Alejandro del Cerro

Лорд Сесил

Бас

Javier Castañeda

Сэр Уолтер Рэли

Контральто

Ricardo Llamas Márquez

Паж

Родственник Ноттингема

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Roberto Devereux -  (Роберто Деверо)

Севилья

Испания

Teatro de la Maestranza

Sala Principal

Roberto Devereux Donizetti

Public

Одобрено

Roberto Devereux

¿Puede un poder terrenal librarnos de la vejez y la muerte? ¿Se puede forzar a alguien a amar a quien no ama? La reina Isabel I de Inglaterra ama a Roberto D...

Bel Canto, ice that scorches

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

español

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

English

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