Name: Rome 1700
Start: 2022-04-11T00:00:00.000Z
End: 2022-04-11T00:00:00.000Z
Location: Opéra Comédie

Organization

Dyrygent

Thibault Noally

Śpiewak

Sopran

Bruno de Sá

Opéra Orchestre National de Montpellier

Orchestra

Les Accents

Rome 1700

Montpellier

Francja

Opéra Comédie

Rome 1700: Concert Various

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontratenor

Mezzosopran

Kontralt

Baryton

Tenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Cain, over the first murder - Alessandro Scarlatti “From the mandra a pure angel” Opéra Orchester national Montpellier Occitanie Leitung: Philippe Jaroussky Artaxerse Ensemble Mezzo TV

In the 1700s, Rome established itself as an exceptional artistic center. During his stay, Handel was able to compete with such illustrious masters as Scarlatti and Caldara, arousing universal admiration with masterpieces such as the oratorios La Resurezzione or Il Trionfo del Tempo . Brazilian sopranist Bruno de Sá, heard last season in Il primo omicidio , resuscitates this flamboyant vocality, with exceptional vocal means. His bright and easy highs, especially his innate musicality, will be a real revelation. Around him, Les Accents will deploy a sonic opulence and an incredible refinement of timbres, under the direction of Thibault Noally, one of the most recognized specialists in this repertoire

English

Rome 1700 by Various, od (2022/2022), Dyrygent Thibault Noally, Opéra Comédie, Montpellier, Francja

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Recenzje

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca