Organization

Chanteur

Soprano

Lise Lindstrom

Salomé

Baryton

Tomasz Konieczny

Jochanaan

Ténor

Frank van Aken

Hérode

Mezzo-soprano

Violeta Urmana

Hérodias

Alejandro del Cerro

Narraboth

Josep Fadó

Le Premier Juif

Direction d'orchestre

David Afkham

Basse

David Cervera

Le Cinquième Juif

Le Premier Nazaréen

David Sánchez

Le Deuxième Soldat

Pedro Llarena

Un Cappadocien

Francesca Calero

Une Esclave

Lydia Vinyes-curtis

Le Page d'Hérodias

Pablo Garcia Lopez

Le Deuxième Juif

Vicenç Esteve

Le Troisième Juif

Angel Rodriguez Rivero

Le Quatrième Juif

COMPETITOR AND COACH

Alexandra Goloubitskaia

Orchestra

National Orchestra of Spain

Auditorio Nacional de Música

Salome -  (Salomé)

Madrid

Espagne

Auditorio Nacional de Musica

Salome Strauss,R

Public

Valide

Richard Strauss was not the first composer to culminate an opera with the amorous ecstasy of a soprano next to the corpse of her lover – Wagner was four decades ahead of him in Tristan and Iseult – but if we had to brand one of these two as a necrophiliac, finalist titles in this peculiar tournament, would be that of Salomé (1905). The scandalous libretto –based on Oscar Wilde, but full of the «transvaluation» spirit that the young Strauss celebrated with such relish in Nietzsche's work– constitutes only the starting point of a wild and refined musical proposal in equal parts, which renews the Wagnerian heritage at the stroke of sensationalism learned from the Italian giovane scuola (verismo) and thus converts Salome and John the Baptist into the perverse and gloomy counterparts of Isolde and Parsifal, respectively. The subsequent leap to atonality by Schönberg and his disciples and the irruption of Stravinsky's The Rite of Spring in Paris repositioned  the cards on the Central European musical board in less than ten years. But during at least this period, Salome had the honor of being the most avant-garde and audacious work ever heard, before becoming that brutal musical experience that we will never tire of repeating

English

Salomé by Strauss, Du (2022/2022), Chef d'orchestre David Afkham, Auditorio Nacional de Musica, Madrid, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles