Name: Schubert, Beethoven, Schmidt
Start: 2024-02-07T00:00:00.000Z
End: 2024-02-08T00:00:00.000Z
Location: Slovak Philharmonic

Admin

Slovak Philharmonic

Orchestra

Slovak Philharmonic Orchestra

Conductor

Daniel Raiskin

Instrumentalist

Lovre Marušić

Piano

Schubert, Beethoven, Schmidt

Bratislava

Slovakia

Concert Hall

Schubert, Beethoven, Schmidt: Die Zauberharfe, D.644 Schubert (+2 More)

Public

Concert

Die Zauberharfe, D.644

Piano Concerto No. 4 in G Major, op. 58

Symphony No.3

Joshua Dos

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Mezzo-soprano

Soprano

Bass-baritone

Baritone

Tenor

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Franz Schubert’s opera “The Magic Harp” did not achieve widespread popularity on global stages, but its prelude continues to be performed even today. Even in what is known as his middle creative period, Ludwig van Beethoven addressed situations in an extraordinary and atypical manner. The Piano Concerto No. 4, a reform work by the Bonn native, serves as an illustration of his ambition to propel the course of events forward. From the initial bars, unexpectedly assigned to the piano without orchestral introduction, a captivating narrative unfolds in front of the listener. In the finale, an attentive ear hears sketches of the theme of the Finale of the Ninth Symphony. However, the middle part is a complete rarity: pleading sequences of the piano collide with the harsh sound of the orchestra, a harbinger of the expressive works of the authors of the 20th century. The legacy of late romanticism is combined with the new directions of the 20th century in the work of Bratislava native Franz Schmidt. Croatian pianist Lovre Marušić won the 2021 Cleveland International Piano Competition, having previously won several other major competitions, so we can definitely look forward to the 31-year-old’s Philharmonic debut.

English

Opera Čarovná harfa Franza Schuberta sa na svetových javiskách neuchytila, no jej predohra sa hráva dodnes. Už v takzvanom strednom tvorivom období riešil Ludwig van Beethoven situácie nevšedne a atypicky. Štvrtý koncert pre klavír, reformné dielo bonnského rodáka, je jedným z príkladov jeho ambícií posúvať chod udalostí vpred. Od vstupných taktov, zverených nečakane klavíru bez orchestrálnej expozície sa odohráva pred poslucháčom nádherný príbeh. Vo finále pozorné ucho začuje náčrty témy Finále Deviatej symfónie. Úplnou raritou je však stredná časť, prosebné sekvencie klavíra narážajú na drsný zvuk orchestra, predzvesť expresívnych diel autorov 20. storočia. Dedičstvo neskorého romantizmu sa v tvorbe bratislavského rodáka Franza Schmidta spája s novými smermi 20. storočia. Chorvátsky klavirista Lovre Marušić vyhral v roku 2021 Medzinárodnú klavírnu súťaž v Clevelande, predtým vyhral niekoľko ďalších veľkých súťaží, takže na filharmonický debut tohto tridsaťjedenročného mladíka sa môžeme jednoznačne tešiť.

slovenčina

Schubert, Beethoven, Schmidt by Schubert, Beethoven, Schmidt, Franz, No (2024/2024), Diriģents Daniel Raiskin, Slovak Philharmonic, Bratislava, Slovakia

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Ansamblis

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