Name: Seconde Nature
Start: 2023-02-08T00:00:00.000Z
End: 2023-02-08T00:00:00.000Z
Location: Arsenal

Organization

Admin

IRCAM-Centre Pompidou

Direzione d'orchestra

Laurent Cuniot

Orchestra

Ensemble Orchestral TM+

Seconde Nature

Metz

Francia

Arsenal

Public

Transfert

Le courlis cendré

Hidden Values

Paul Koneri

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Baritono

Cantante

Tenore

Basso-baritono

Soprano

Controtenore

Contralto

Mezzosoprano

Basso

Alto

Mimi

Narrazione

Voce bianca

Olivier Messiaen liked to call himself a composer, a rhythmicist, and an ornithologist all at the same time, especially when he recorded the songs of birds in different parts of the world. Rhythmic vivacity, melodic virtuosity: Messiaen undertook his immense Catalogue d'oiseau, which ends with Le Courlis cendré that lives on the island of Ouessant. "Slow and sad tremolos, chromatic ascents, wild trills, and a tragically repeated glissando call, which expresses all the desolation of the seascapes."

Location, time, territory: Florent Caron Darras records landscapes with a 3D microphone and then analyzes them, replacing certain original sounds with instruments or synthesizers. The imagined sounds are inserted precisely in time and space, analogous to the acoustic manifestation of wildlife in its environment; a transfer from a real to an imaginary landscape. Finally, Natasha Barrett masters the practice of electronic land art. She explores here the potentialities of ambisonic immersion with three sound metaphors: an umbrella, a lock, optical tubes.

English

Olivier Messiaen aimait à se dire tout à la fois compositeur, rythmicien et ornithologue, en particulier lorsqu’il notait à la volée les chants des oiseaux dans de nombreuses contrées. Vivacité rythmique, virtuosité mélodique affolante : Messiaen a entrepris un immense Catalogue d’oiseau, qui s’achève sur Le Courlis cendré de l’île d’Ouessant. « Trémolos lents et tristes, montées chromatiques, trilles sauvages, et un appel en glissando tragiquement répété, qui exprime toute la désolation des paysages marins. »

Le lieu, l’heure, le territoire : Florent Caron Darras enregistre des paysages avec un microphone 3D puis les analyse pour remplacer certains sons d’origine par des instruments ou des synthétiseurs. Transfert du paysage réel au paysage imaginaire. Enfin Natasha Barrett maîtrise le land art électronique et explore ici les potentialités de l’immersion ambisonique avec trois métaphores sonores : le parapluie, la serrure, les tubes optiques.

français

Seconde Nature by Darras, Messiaen, Barrett, N., Da (2023/2023), Direttore d'orchestra Laurent Cuniot, Arsenal, Metz, Francia

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Ensemble

Programma, informazioni e sinossi

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