Name: Semele
Start: 2022-04-08T00:00:00.000Z
End: 2022-04-09T00:00:00.000Z
Location: St Stephen's Uniting Church

Artist

Admin

Concordia Ensemble

Cantante

Soprano

Lana Kains

Semele

Amelia Bland

Iris

Mezzosoprano

Cassandra Doyle

Ella Orehek-Coddington

Giunone

Tenore

Alexander Caldwell

Giove

John L'Estrange

Apollo

Basso

Tobias Page

Sonno

Contralto

Atamante

Wesley Yu

Strumento

Jamie-Lee Xu

Piano

Joanna Li

Ashly Zhang

Molly Ryan

inglese

Cristina Pardo Ramírez

Sydney

Australia

St Stephen's Uniting Church

Public

Staged

Oratorio / Orchestrale

Ella Orehek Coddington

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Baritono

Controtenore

Alto

Mimi

Narrazione

Voce bianca

In April 2022, Concordia Ensemble will inaugurate their yearly Lenten oratorio performance. For our first oratorio in the Lenten period, we have selected the wonderfully beautiful Semele, composed by G.F. Handel. When this work first premiered, on 10th February 1744, it caused much debate as it was presented as an oratorio based on a mythological, rather than a Christian subject. Typically, during the Lenten period in England at the time, opera was not performed and was replaced by the concert style of oratorio out of respect for the Christian observation. These oratorios would depict Christian stories from the Bible, such as those of Saul, Theodora and Esther, which Handel also composed for.

Semele stood out of the crowd as an oratorio written on a pagan theme for Lent. Non-Christian stories were usually reserved for the drama and frivolity of the opera, and most people understood Semele to be a thinly veiled work of opera, and thus a scandal was born.
Since then, Semele has cemented itself as a standard of Handel's English repertoire. While not as famous as his Messiah, Semele is regularly staged as an opera. 

Over two evenings in April, Concordia Ensemble will explore the story of Semele through two different casts. This performance will be staged with piano accompaniment in the worship centre of St Stephen's Uniting Church, Sydney. This work will also be abridged to just under two hours.

English

Semele by Händel, Da (2022/2022), St Stephen's Uniting Church, Sydney, Australia

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