Name: Shostakovich, Schumann, and Mazzoli
Start: 2025-03-28T00:00:00.000Z
End: 2025-03-29T00:00:00.000Z
Location: Verizon Hall

Admin

The Philadelphia Orchestra

Conductor

Nathalie Stutzmann

Orchestra

Instrumentalist

Edgar Moreau

Cello

Shostakovich, Schumann, and Mazzoli

Philadelphia

United States

Verizon Hall

Shostakovich, Schumann, and Mazzoli: Orpheus Undone Mazzoli (+2 More)

Public

Orpheus Undone

Cello concerto

Symphony No. 5 in D Minor, op. 47

Saurav Kumar

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Countertenor

Bass-baritone

Contralto

Tenor

Bass

Soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Written in 1937, in the midst of Stalin’s cruel artistic purges, Shostakovich’s Fifth shows little of the terrible strain the composer and his compatriots felt. The government defined truth and beauty, and the consequences of coloring outside those lines were dire. Seemingly on a whim, an artist’s work could be condemned, and the artist himself banished. Despite the overriding climate of fear, his Fifth was a triumph; the Leningrad premiere received an ovation that lasted more than half an hour. It remains an extraordinary tribute to inspiration that defies restraint.

Schumann wrote his Cello Concerto in just two weeks, in a blaze of creative energy that would prove his last before he succumbed to depression and death. With its haunting melodies and thrilling finale, this triumphant work betrays none of the pain this troubled composer felt.

This journey of genius begins with a new work from one of today’s most acclaimed composers, hailed as a “post-millennial Mozart” (Time Out New York). Leading this celebration of genius is “an artist who is hailed as both “a musician of great refinement and sophistication” (The Times, London)—Nathalie Stutzmann.

English

Shostakovich, Schumann, and Mazzoli by Mazzoli, Schumann, Shostakovich, Od (2025/2025), Dirigent Nathalie Stutzmann, Verizon Hall, Philadelphia, United States

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