Name: Soirée Berlin Années 20
Start: 2025-03-26T00:00:00.000Z
End: 2025-03-26T00:00:00.000Z
Location: Théâtre du Châtelet

Admin

Orchestre de Chambre de Paris

Théâtre du Châtelet

Conductor

Carolin Widmann

Instrumentalist

Violin

Orchestra

Soirée Berlin Années 20

Paris

France

Public

Violin Concerto, op. 12

Sharan Allad

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass

Countertenor

Soprano

Mezzo-soprano

Tenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Depuis plusieurs années, Carolin Widmann défend ardemment le Concerto pour violon de Kurt Weill, qui ose l’alliage singulier d’un instrument à cordes soliste et d’un orchestre à vent. Soliste et cheffe de ce concert, elle ramène le concerto sur son lieu d’origine : créé à Paris en 1925, il y a cent ans, l’œuvre témoigne des intenses relations entre Paris et Berlin dans les années 1920. 

Kurt Weill n’a que vingt-quatre ans lorsqu’il compose son Concerto pour violon. On y entend de multiples influences, notamment celles de Mahler et de Berg, conjuguées avec les nouvelles tendances qui se dessinent pendant la République de Weimar : la netteté du dessin, la fermeté rythmique, le refus du sentimentalisme au profit d’un ton souvent ironique. On perçoit également le sens du théâtre des œuvres à venir, notamment de L’Opéra de quat’sous composé quatre ans plus tard. 

Ce programme sera complété par d’autres œuvres illustrant cette période féconde du Berlin de l’entre-deux-guerres.

Coproduction Orchestre de chambre de Paris / Théâtre du Châtelet

français

For several years, Carolin Widmann has ardently defended Kurt Weill's Violin Concerto , which dares to combine a solo string instrument and a wind orchestra. Soloist and conductor of this concert, she brings the concerto back to its place of origin: created in Paris in 1925, a hundred years ago, the work testifies to the intense relations between Paris and Berlin in the 1920s. 

Kurt Weill was only twenty-four years old when he composed his Violin Concerto . We hear multiple influences, notably those of Mahler and Berg, combined with the new trends that emerged during the Weimar Republic: the clarity of the drawing, the rhythmic firmness, the refusal of sentimentalism in favor of an often ironic tone. . We also perceive the sense of theater in the works to come, notably L'Opéra de quat'sous composed four years later. 

This program will be supplemented by other works illustrating this fertile period of interwar Berlin.

Co-production Paris Chamber Orchestra / Théâtre du Châtelet

English

Soirée Berlin Années 20 by Weill, Aπό (2025/2025), αγωγός Carolin Widmann, Théâtre du Châtelet, Paris, France

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