Name: Stabat Mater
Start: 2021-12-05T00:00:00.000Z
End: 2022-01-19T00:00:00.000Z
Location: Concert Hall of the Mariinsky Theater

Organization

Conductor

Zaurbek Gugkaev

Instrumentalist

Olha Kotlyarova

Singer

Soprano

Olga Trifonova

Mezzo-soprano

Zlata Bulycheva

Mezzosoprano

Oxana Shilova

Nadezhda Serdjuk

Mariinsky Theatre

Orchestra

Orchester des Mariinski-Theaters

Stabat Mater

Saint Petersburg

Russia

Concert Hall of the Mariinsky Theater

Public

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Tenor

Contralto

Bass

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The author of  Stabat mater dolorosais believed to have been the poet Jacopone da Todi, a Franciscan monk who lived in the 13th century. Although in the 16th century the Universal cathedral dropped Stabat mater from the Catholic liturgy composers nevertheless continued to return to this verse, and in 1727 Pope Benedict XIII restored its place in the Missal.
The twenty-six-year-old Giovanni Battista Pergolesi composed Stabat mater for soprano, alto, strings and organ shortly before his death in 1736. He “copied” the format of  participants from Alessandro Scarlatti’s Stabat mater. This work was performed on an annual basis in Naples during the Great Fast, and it would appear that Pergolesi set himself the task of  replacing it with a piece in a new style. And in fact his music is almost completely restricted to the fashionable “gallant” style – responsive, very human and easy to understand. Many of  the musical intonations and sharp rhythms came from opera buffas while the eighth section was named a fugue, though in the strict sense of  the word it is not one at all.
Regardless of  any arguments, could Pergolesi’s Stabat mater really be called religious music? Even in the 18th century it had been performed throughout Europe. Some performers would increase the number of  those involved and to achieve a fuller sound male voices and wind instruments were added. Anna Bulycheva

English

Автором Stabat mater dolorosa считают тосканского поэта Якопоне да Тоди, монаха-францисканца, жившего в XIII веке. Хотя в XVI столетии Тридентский собор исключил Stabat mater из католической литургии, тем не менее композиторы продолжали обращаться к этим стихам, и в 1727 году папа Бенедикт XIII восстановил их в правах. 26-летний Джованни Баттиста Перголези написал Stabat mater для сопрано, альта, струнных и органа незадолго до своей смерти в 1736 году. Состав участников «скопирован» им со Stabat mater Алессандро Скарлатти. Это произведение ежегодно звучало в Неаполе в дни Великого поста, и Перголези, видимо, ставил себе целью заменить его сочинением в новом духе. Действительно, его музыка выдержана в модном «галантном» стиле – чувствительном, легком, человечном. Многие музыкальные интонации и острые ритмы пришли из опер-буффа, восьмая часть названа фугой, но в строгом смысле ею не является.
Несмотря на дискуссии, можно ли признать Stabat mater Перголези настоящей духовной музыкой, уже в XVIII веке это сочинение обошло всю Европу. Некоторые исполнители расширяли состав участников: ради более мощного звучания добавляли мужские голоса и духовые инструменты. Анна Булычева

русский

Stabat Mater by Pergolesi, Frá (2021/2022), Hljómsveitarstjóri Zaurbek Gugkaev, Concert Hall of the Mariinsky Theater, Saint Petersburg, Russia

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