Admin

Guangzhou Symphony Orchestra

Orchestra

Dyrygent

Charles Dutoit

Instrumentalista

Serena Wang

Piano

Subscription Concert 8

Kanton

Chiny

Xinghai Concert Hall

Symphony Hall

Subscription Concert 8: Pelléas et Mélisande, op. 80 Fauré (+2 More)

Public

Concert

Oratorium

Pelléas et Mélisande, op. 80

Piano Concerto No. 2 in A Major, S. 125

Symphony No. 9, op. 95

Joshua Dos

Approved

浪漫主义时期的作曲家都极具个人创作特点和影响力：福雷《佩利亚斯与梅丽桑德》组曲在旋律与和声上相对传统，精简而不铺陈，雅致含蓄，绝不炫耀技巧，整体音乐的风格非常符合戏剧的总体基调；李斯特《A大调第二钢琴协奏曲》将诗意的抒情与充满英雄豪情的奋进结合，呈现出崇高与大爱特质；德沃夏克在乡愁蕴积下，将美国新大陆的黑人民谣，和他在欧洲故乡波西米亚的民族音乐特色交融于《E小调第九交响曲》中，感人力量之深，至今盛演不衰。

中文

Composers of the romantic period were highly individual both in creativity and influence. Fauré’s Pelléas et Mélisande Suite, characterized by relatively conventional melodies and harmonies, shies away from technical bravura, fitting perfectly with Maeterlinck’s symbolist play about two doomed lovers. Liszt’s Piano Concerto No.2 is a daring assembly of poetic lyricism and heroic bravado in praise of universal love. Dvořák combined American spirituals into his own Bohemian folk style adroitly, creating a work “from the New World” that continues to electrify audiences across the globe.

English

Subscription Concert 8 by Fauré, Liszt, Dvořák, od (2023/2023), Dyrygent Charles Dutoit, Xinghai Concert Hall, Kanton, Chiny

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