Name: Tartuffe
Start: 2022-05-27T00:00:00.000Z
End: 2022-07-06T00:00:00.000Z
Location: Chamber Theatre

Organization

Stage director

Gábor Rusznyák

Set designer

Costume designer

Ildi Tihanyi

Choreographer

Lukács Ádám

Video designer

Péter Hajdufi

Singer

Mezzo-soprano

Ági Máhr

Madame Pernelle

Julianna Czakó

Elmira

Ferenc Fandl

Cleante

Bass-baritone

Attila Harányi

Tartuffe

Miskolc National Theatre

Budapest

Hungary

Miskolc

Chamber Theatre

Tartuffe Mechem

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Bass

Tenor

Contralto

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

“It is a great blow to sins to make them ridiculous in the eyes of the world. Reproaches are easy to take, but if they are ridiculed, we cannot bear them; we tolerate having bad news, but not being ridiculous. ” (Moliére: Foreword to Tartuffe)

Life is short and there is now more evidence of a one-time adventure. We probably all want to live the time that comes to us meaningfully. On a human scale, there is too much opportunity, direction, information in this short time for us to decide for ourselves what to do with this “time” for us. This is why many of us cling to an idea, a leader, a faith, so as not to get lost or drift off the path he thinks is true. Yes, we want to believe that there are true people. But what if these “true” people are brokers? If their talent is nothing more than their ability to fill the gap within us, to answer our questions, but in the meantime, they only use us and our insecurities, our weaknesses, our delusions, to achieve their own selfish goals? 

LESS

English

Tartuffe by Mechem, Frá (2022/2022), Leikstýrt af Gábor Rusznyák,, Chamber Theatre, Miskolc, Hungary

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