Organization

Münchener Biennale

Regisseur

Sandra Strunz

Dirigent

Rei Munakata

Set designer

Sabine Kohlstedt

Licht ontwerper

Nicole Berry

Geluidsontwerper

Sebastian Schottke

Dramaturg

Anna-Sophia Güther

Zanger

Johanna Greulich

Dana

Eva Resch

Sara

Jessica Higgins

Matthias Breitenbach

Data Collector

Ilya Lapich

Dream Interpreter

Maria Munkert

Choreograaf

Ted Stoffer

Deborah Maier

Art and mediation

Oliver Riedmüller

Nationaltheater Mannheim

Orchestra

Nationaltheater-Orchester Mannheim

Engels

The Damned and the Saved

Duitsland

Public

Duits

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Componist

Danser

Extra

Haar stylist

Illustrator

Koor

Koor meester

Kostuum ontwerper

Librettist

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Bass-baritone

Contralto

Mezzo-soprano

Tenor

Soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

In “The Damned and the Saved”, the composer Malin Bång and Pat To Yan, in-house author at NTM in the 2021/22 season, focus on the friendship of two women in their work together. In an unspecified repressive system, a machine rules as king, which is fed with garbage left behind after demonstrations. This is used for meticulous follow-up and provides information on entire biographies, which can then be switched off. The friends try to assert themselves against this totalitarian violence and choose different ways of resistance. This puts their relationship to the test, as Dana radically confronts herself and those around her with the rule of injustice, while Sara pursues a quieter revolution.

In his first libretto, Pat To Yan negotiates the question of how unconditional resistance must be in a metaphorical-simile and at the same time brutally concrete. In his text, levels of reality and dreams shift, which congenially merge through the music.

The music of the Swedish composer Malin Bång creates a cosmos full of surprising and contrasting sounds that range from restrained intimacy to stubborn sharpness. Her composition continues the rhythm and melody of Pat To Yan's libretto and creates both connections and boundaries between the worlds of experience of the two protagonists.

English

The Damned and the Saved by Bång, Van (2022/2022), Geregisseerd door Sandra Strunz,, Dirigent Rei Munakata

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Programma, Over & Synopsis

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties