Organization

Sänger

Bariton

Richard Suart

Duke of Plaza-Toro

Tenor

Dan Shelvey

Luiz

Bass-Bariton

Ben McAteer

Don Alhambra del Bolero

William Morgan

Marco Palmieri

Mark Nathan

Giuseppe Palmieri

Arthur Bruce

Antonio

Yvonne Howard

Duchess of Plaza-Toro

Sopran

Catriona Hewitson

Casilda

Ellie Laugharne

Gianetta

Mezzosopran

Sioned Gwen Davies

Tessa

Cheryl Forbes

Inez

Regie

Stuart Maunder

Dirigat

Derek Clark

Jonathon Cole-Swinard

Lichtgestaltung

Paul Keogan

Kostümbild

Dick Bird

Bühnenbild

Choreographie

Isabel Baquero-White

Carolyn Holt

Scottish Opera

D'Oyly Carte Opera Company

Maestro Broadcasting

Englisch

The Gondoliers -  (Die Gondoliere)

One of the finest of Gilbert and Sullivan’s operas in a sumptuous production by Scottish Opera. Sunny, funny and with more 'tra-la-las' per square inch than any other opera in the canon, The Gondoliers is a joy from start to finish. This witty satire is jam-packed with unforgettable star roles, musical highlights and dancing, including numbers such as Take a Pair of Sparkling Eyes, Regular Royal Queen and the Cachucha. 

The Gondoliers is a charming poke at the appeals and pitfalls of rulership, privilege and cronyism. Two happy-go-lucky Venetian gondoliers, Marco and Giuseppe, discover that one of them is, in fact, heir to the throne of a distant kingdom. True to their (adopted) republican roots, they set off together to rule in idealistic if somewhat chaotic style. 

Marco and Giuseppe have just chosen their brides, Gianetta and Tessa, when their lives are thrown into turmoil by the arrival of the grand inquisitor, Don Alhambra, who informs them that one of them has acquired the throne of the distant Kingdom of Barataria. The Duke of Plaza-Toro brings his daughter to meet Don Alhambra because she has been betrothed to the new monarch - whichever he is. No-one can identify which of the gondoliers is to be the king, so they both agree to go and rule jointly and according to their strict republican instincts. It’s a fine but exhausting ideal, as they find that ‘equality’ means they end up doing all the work themselves. 

The Duke of Plaza-Toro, bringing his daughter, arrives in the chaotic kingdom, and after vain attempts to teach the monarchs decorum and judgement, the confusion and incompetence is resolved, and the rightful monarch is in place. 

In a co-production by D’Oyly Carte Opera and State Opera South Australia, Stuart Maunder directs the production with fun, verve and taste, with Scottish Opera’s music director, Derek Clark, conducting one of Arthur Sullivan’s most attractive and affecting scores. 

The designs are by Dick Bird, drawing on views of Venice by Canaletto and creating colourful costumes full of style and wit. Isabel Baquero has devised an energetic and boisterous choreography that matches the joy of the production.

Edinburgh

Vereinigtes Königreich

One of the finest of Gilbert and Sullivan’s operas in a sumptuous production by Scottish Opera. Sunny, funny and with more 'tra-la-las' per square inch than any other opera in the canon, The Gondoliers is a joy from start to finish. This witty satire is jam-packed with unforgettable star roles, musical highlights and dancing, including numbers such as Take a Pair of Sparkling Eyes, Regular Royal Queen and the Cachucha.

The Gondoliers is a charming poke at the appeals and pitfalls of rulership, privilege and cronyism. Two happy-go-lucky Venetian gondoliers, Marco and Giuseppe, discover that one of them is, in fact, heir to the throne of a distant kingdom. True to their (adopted) republican roots, they set off together to rule in idealistic if somewhat chaotic style.

Marco and Giuseppe have just chosen their brides, Gianetta and Tessa, when their lives are thrown into turmoil by the arrival of the grand inquisitor, Don Alhambra, who informs them that one of them has acquired the throne of the distant Kingdom of Barataria. The Duke of Plaza-Toro brings his daughter to meet Don Alhambra because she has been betrothed to the new monarch - whichever he is. No-one can identify which of the gondoliers is to be the king, so they both agree to go and rule jointly and according to their strict republican instincts. It’s a fine but exhausting ideal, as they find that ‘equality’ means they end up doing all the work themselves.

The Duke of Plaza-Toro, bringing his daughter, arrives in the chaotic kingdom, and after vain attempts to teach the monarchs decorum and judgement, the confusion and incompetence is resolved, and the rightful monarch is in place.

In a co-production by D’Oyly Carte Opera and State Opera South Australia, Stuart Maunder directs the production with fun, verve and taste, with Scottish Opera’s music director, Derek Clark, conducting one of Arthur Sullivan’s most attractive and affecting scores.

The designs are by Dick Bird, drawing on views of Venice by Canaletto and creating colourful costumes full of style and wit. Isabel Baquero has devised an energetic and boisterous choreography that matches the joy of the production.

Fotos