Name: The Nutcracker, op. 71
Start: 2016-09-30T00:00:00.000Z
End: 2017-04-01T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Dyrygent

Alexander Slutskiy

Anton Torbeev

Choreografia

Eldar Aliev

Scenografia

Semyon Pastukh

Kostiumy

Galina Solovieva

Reżyseria światła

Primorsky Stage of the Mariinsky Theatre

The Nutcracker, op. 71 -  (Dziadek do orzechów)

Władywostok

Rosja

Big Hall

The Nutcracker

Public

Dziadek do orzechów

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Śpiewak

Tenor

Baryton

Bas - baryton

Sopran

Kontralt

Mezzosopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

The all-time favourite Christmas ballet the Nutcracker has long become the performance which, irrespective of the season, creates an atmosphere of a magic holiday and fairytale-like changes. A wonderful story about a handsome Prince transformed into an ugly doll and a kind girl Masha, who helps the Nutcracker defeat the horrible Mouse King and find happiness, invariably attracts both children and adults.

The music of this ballet has been well-known to everybody since an early age and sometimes it is difficult to imagine how innovative the Nutcracker score was for its time. Tchaikovsky greatly expanded the sphere of character dances: here we can see both a gallery of children’s vivid portraits (no wonder that his ballet is often called “a symphony of childhood”), fantastic images of toys and mice, and the Confiturenburg luxurious sweets parade. There is an enormous gap between the old ballet national “pas” traditions and the suite of tasty drinks that the audience is treated to in the Second Act: thick Spanish scalding chocolate; Arabic coffee the music of which seems to enveil the stage with aromatic steam; delicate as the Chinese ceremony tea.

In the Nutcracker the composer made an exceptionally generous gift to the artists: he personified not only human characters but also some things which makes it possible to engage the whole cast in the performance and to turn it into the triumph of corp-de-ballet. Special mention should be made of the ballet’s ingenious orchestration, for example, for the scene of the war between mice and toy soldiers with the roll of small drums, sounds of toy military fanfares, flickering of mice scurrying about and squeaking. The gem of the Nutcracker’ score is the Sugar Plum Fairy’s crystal-like dance in which Tchaikovsky for the first time in Russian music used a celesta - an instrument with a transparent, “thawing” and a truly mesmerizing timbre which had been invented only a few years earlier. Still, the main secret of the success of the Nutcracker music lies in the fact that just like its plot it possesses the unspoilt freshness and the youthfulness that never fail to fascinate and to be liked. Of all Tchaikovsky’s ballets the Nutcracker has probably had the largest number of interpretations with various emphases. The Primorsky Stage of the Mariinsky Theatre presents it in the expressive Eldar Aliev’s choreography based on the original scenario by Marius Petipa. This ballet is a real New Year Eve extravaganza with brilliant costumes and scenery, full of bursts of children’s rosy-cheeked laughter and a pine scent of the holiday tree.

English

Dziadek do orzechów by Tchaikovsky, P. I., od (2016/2017), Dyrygent Alexander Slutskiy, Anton Torbeev, Primorsky Stage of the Mariinsky Theatre, Władywostok, Rosja

Udział w spektaklu (Obsada & realizacja )

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca