Admin

L'Auditori

Conductor

Edmon Colomer

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

The OBC at La Merce / Beethoven's Fifth

Nou Barris

Spain

Public

Concert

Oratorio / Orchestral

Sol Ixent

Ma mère l´oye

Symphony No. 5

Samabedona Majumder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Mezzo-soprano

Tenor

Contralto

Baritone

Bass-baritone

Soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Eduard Toldrà’s sardana Sol ixent opens an exciting concert with a wealth of contrasts. First performed in 1922, highly acclaimed and recorded on many occasions, it begins with woodwind solos performed on the genre’s most characteristic instruments.

It will be followed by the five pieces in the children’s suite Ma mère l’oye (Mother Goose) composed by Maurice Ravel between 1908 and 1910. Originally written as a piano duet, the orchestrated version adds nuances that reflect the narrative of each of the movements, inspired by popular tales.

Composed between 1804 and 1805, Beethoven’s revolutionary Fifth Symphony was conceived as a struggle of the individual with destiny. The dramatic opening develops into a powerful musical discourse, leading to a triumphant finale.

English

La sardana Sol ixent de Eduard Toldrà abre un concierto atractivo y lleno de contrastes. Estrenada en 1922, galardonada y grabada en numerosas ocasiones, comienza con la intervención solista de los instrumentos de madera más característicos del género.

Le seguirán las cinco piezas infantiles de la suite Ma mère l’oye (Mi madre, la oca), que Maurice Ravel compuso entre 1908 y 1910. Concebida para piano a cuatro manos, la adaptación orquestal revela matices que colaboran con la narratividad de cada una de las escenas, inspiradas en cuentos populares.

Creada por Beethoven entre 1804 y 1805, la revolucionaria Quinta sinfonía se ha interpretado como una lucha del individuo frente al destino. La sacudida inicial se transforma entretejiendo un discurso musical de consistencia impecable, que culmina en un final exultante.

español

La sardana Sol ixent d’Eduard Toldrà obre un concert atractiu i generós en contrastos. Estrenada el 1922, guardonada i gravada en múltiples ocasions, s’inicia amb la intervenció solista dels instruments de fusta més característics del gènere.

Seguiran les cinc peces infantils de la suite Ma mère l’oye que Maurice Ravel va compondre entre 1908 i 1910. Concebuda per a piano a quatre mans, l’adaptació orquestral revela matisos que col·laboren amb la narrativitat de cadascuna de les escenes, inspirades en contes populars.

Creada per Beethoven entre 1804 i 1805, la revolucionària Cinquena ha estat entesa com una lluita de l’individu amb el destí. La sacsejada inicial es transformarà entreteixint un discurs musical de consistència inatacable, que assoleix un final exultant.

català

The OBC at La Merce / Beethoven's Fifth by Toldrà, Ravel, Beethoven, Aπό (2024/2024), αγωγός Edmon Colomer

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