Name: Three Intermezzi for String Quartet
Start: 2023-06-11T00:00:00.000Z
End: 2023-06-11T00:00:00.000Z
Location: Kölner Philharmonie

Organization

Instrumentalist

Martina Horejsi-Kiefer

Daniel Raabe

Alvaro Palmen

Anna Haakh

Singer

Mezzo-soprano

Ursula Hesse von den Steinen

Violin

Viola

Violincello

Elisabeth Polyzoides

Gürzenich - Orchester Köln

Three Intermezzi for String Quartet

Cologne

Germany

Kölner Philharmonie

Public

Dover Beach, op. 3

Three Songs for mezzo-soprano and string quartet

Composition

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Tenor

Bass-baritone

Baritone

Contralto

Soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Ostracized, persecuted, forgotten: The life and afterlife of Karl Weigl is one of the most tragic chapters in recent music history. The Viennese composer was a great success in the 1920s – he was friends with Schönberg, his works were performed by Furtwängler, and he received numerous awards. Then the Nazis took power in Austria, and Weigl, who had Jewish roots, fled to the USA. At 57, he was forced to start all over again in a foreign country, but he couldn’t gain foothold and his compositions piled up in the drawer. This concert strives to re-establish his esteem and juxtaposes Weigls music with that of two other composers from his living environments Austria and the USA: Anton Webern, who explores the new territory of twelve-tone music with his Bagatelles, and Samuel Barber, whose piece »Dover Beach« marks the beginning of his career – and a successful one at that.

English

Verfemt, verfolgt, vergessen: Leben und Nachleben von Karl Weigl gehören zu den tragischsten Kapiteln der jüngeren Musikgeschichte. Der Wiener war einer der erfolgreichsten Komponisten der 1920er Jahre, befreundet mit Schönberg, aufgeführt von Furtwängler, vielfach preisgekrönt. Doch als die Nazis Österreich annektierten, floh Weigl, der jüdische Wurzeln hatte, in die USA. Mit 57 musste er in der Fremde nochmal von vorn anfangen, konnte jedoch nicht mehr wirklich Fuß fassen, komponierte für die Schublade. Das Konzert wagt eine Rehabilitierung und stellt seine Musik der von zwei anderen Komponisten aus Weigls Lebenswelten Österreich und USA gegenüber: Anton Webern, der mit seinen Bagatellen auf das Neuland der Zwölftonmusik vorstieß, und Samuel Barber, der mit »Dover Beach« seine Karriere startete – auch ein Aufbruch, in diesem Fall ein höchst erfolgreicher.

Deutsch

Three Intermezzi for String Quartet by Weigl, K., Dover Beach, op. 3 by Barber, Three Songs for mezzo-soprano and string quartet by Weigl, K., Composition by Various, Minn (2023/2023), Kölner Philharmonie, Cologne, Germany

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