Organization

Singer

Soprano

Ewa Vesin

Floria Tosca

Tenor

Rafał Bartmiński

Mario Cavaradossi

Bass

Tomasz Rudnicki

Cesare Angelotti

Aleksander Zuchowicz

Spoletta

Andrzej Zborowski

Sciarrone

Jerzy Szlachcic

A jailer

Conductor

Adam Banaszak

Baritone

Mikołaj Zalasiński

Baron Scarpia

Jacek Jaskuła

The sacristan

Khatuna Chokhonelidze

Radosław Żukowski

Maciej Krzysztyniak

Stage director

Michael Gieleta

Set designer

Gary McCann

Costume designer

Lighting designer

Ewa Garniec

Child vocalist

Nina Hauser

A shepherd

Jakub Michalski

Marek Klimczak

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Tosca

Wrocław

Poland

TOSCA

Public

Approved

Tosca Puccini

Giacomo Puccini, by opening Toska's twentieth century, made opera closer to people with his then unusual, unique musical language and a thoroughly veristic message. Although it was closer to her some fifty years earlier, for example thanks to Giuseppe Verdi's La Traviata, but there this closeness was mainly based on the libretto. There is something more here, in addition to the libretto, we have an emotional score that paints in our heads a picture of the Roman church of Sant'Andrea della Valle with a picture of the Marquise of Attavanti, the Scarpia palace or the courtyard of the Castel Sant'Angelo.

The work, which premiered 121 years ago (January 14, 1900), is in fact extremely realistic. The emotions and feelings that are present in the part of Floria Toska and the painter Mario Cavaradossi are shared by the audience. Extremely tight action (musically and theatrically) takes us to Rome in 1800. It is there - in the courtyard of the Castel Sant'Angelo - we witness an intrigue that turns out of love into a tragedy.

English

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor