Name: Turandot
Start: 2016-03-12T00:00:00.000Z
End: 2016-05-05T00:00:00.000Z
Location: Státní Opera Praha (The State Opera)

Admin

Organization

Chanteur

Soprano

Anda-Louise Bogza

La Princesse Turandot

Ténor

Michal Lehotský

Calaf

Efe Kislali

Simona Procházková

Liù

Pavla Vykopalová

Basse

Jiří Sulženko

Timur

Oleg Korotkov

Baryton

Jiří Brückler

Ping

Jiří Hájek

Tomáš Kořínek

Pang

Richard Samek

Martin Šrejma

Pong

Václav Sibera

Miloš Horák

Un mandarin

Roman Vocel

Lubomír Havlák

Le jeune Prince de Perse

Direction d'orchestre

Enrico Dovico

Richard Hein

Martin Leginus

Mise en scène

Václav Věžník

Costumes

Josef Jelínek

Décors

Ladislav Vychodil

State Opera

Others

State Opera Chorus

Orchestra

State Opera Orchestra

Turandot

Prague

Tchéquie

Státní Opera Praha (The State Opera)

Turandot Puccini

Public

Valide

Giacomo Puccini’s final opera, Turandot, may be deemed to be the “last of the Mohicans” of the Golden Age of Italian Romantic opera. The greatest of Verdi’s heirs, the composer, however, did not get bogged down in this tradition, but went on to boldly develop and enrich it with the flavours of the new artistic styles that emerged in the late 19th and the early 20th centuries. Consequently, his Turandot, written between and 1921 and 1924, does not feature many Romantic traits.

Puccini based the opera on the eponymous commedia dell’arte play by Carlo Gozzi, an author much admired by the early 20th-century avant-garde artists. The subject hails from Persia or Mongolia, whose cultures were mainly marvelled at by votaries of the decorative style, while the libretto’s story is set in medieval Beijing and foregrounds fairy-tale, or better said mythological, elements, favoured by the Symbolists. The theme of passionate love, essential for Romantic opera, is veiled in mysterious motifs of ice, fire, moon, while an erotic flame enigmatically blazes along with intense, unrelenting hatred, which we would rather expect to be present in works inspired by decadence or psychoanalysis.

Yet all that which, notwithstanding its modernism, gives Turandot the Romantic opera hallmark is Puccini’s musical idiom, which too encompasses plenty of “eccentric” facets – ranging from Oriental paraphrases, through a brutal orchestral sound, dissonant harmonies to wildly complex chorus and ensemble scenes – but what prevails is Puccini’s masterful melodic invention in the spirit of the legacy of his great Italian opera predecessors, yet utterly original – by and large, Puccinian.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble