Name: Vfco Takács-nagy Dovgan
Start: 2024-08-03T00:00:00.000Z
End: 2024-08-03T00:00:00.000Z
Location: Salle des Combins

Admin

Verbier Festival

Conductor

Gábor Takács-Nagy

Orchestra

Verbier Festival Chamber Orchestra

Instrumentalist

Alexandra Dovgan

Piano

Vfco / Takács-nagy / Dovgan

Bagnes

Switzerland

Salle des Combins

Vfco / Takács-nagy / Dovgan: Symphony No.1 in D Major, Hob. I/1 Haydn (+2 More)

Public

Symphony No.1 in D major, Hob

Piano Concerto in A Minor, op. 16

Symphony No. 1 in C Minor, op. 68

Akshay C K

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Bass-baritone

Countertenor

Baritone

Bass

Tenor

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Haydn n’a pas composé la première symphonie de l’histoire mais il a développé le genre en le hissant au sommet de l’expression musicale, servant ainsi de modèle aux compositeurs suivants. Sa Première Symphonie, composée vers 1757 en trois mouvements (sans menuet), offre un aperçu de ce qui allait suivre dans le genre symphonique. Fait inhabituel, la seule œuvre symphonique que Grieg ait publiée est le Concerto pour piano qu’il a écrit à l’âge de 25 ans. Le thème principal du premier mouvement n’est pas la célèbre descente du piano mais la mélodie captivante des bois qui la suit. Un Adagio mélodieux vient ensuite, aboutissant à un finale d’inspiration folklorique. Brahms, quant à lui, a mis plus de 20 ans à écrire sa première symphonie, cherchant à suivre l’héritage de Beethoven, avec sa propre voix, tout en faisant progresser le genre. Achevée en 1876, cette œuvre magistrale réalise pleinement son objectif par sa grandeur, son développement mélodique ingénieux et son finale. Le thème héroïque du finale évoque Beethoven dans une atmosphère joyeuse, tout en exhibant la couleur distinctive du cor propre à Brahms.

français

Haydn didn’t compose the first ever symphony, but he did develop the genre to become the Everest of musical expression through which subsequent composers proved their mettle – and his three-movement (no minuet) First Symphony, penned around 1757, hints at what was to come. Unusually, the only symphonic work Grieg released was the Piano Concerto he wrote aged 25. Exploding in, its first movement’s main theme isn’t the piano’s famous descent but the subsequent woodwind melody. A melting Adagio follows, before a folk-inspired finale. Brahms took over 20 years to write his First Symphony, wrestling with how to follow Beethoven’s legacy, in his own voice, while taking the genre forwards. Completed in 1876, his eventual masterpiece did exactly that with its grandeur, clever melodic development, and finale whose heroic theme sings of Beethoven with its Ode to Joy feel, but through horn colour that’s pure Brahms.

English

Vfco / Takács-nagy / Dovgan by Haydn, Grieg, Brahms, No (2024/2024), Diriģents Gábor Takács-Nagy, Salle des Combins, Bagnes, Switzerland

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