Name: Visions
Start: 2024-06-13T00:00:00.000Z
End: 2024-06-13T00:00:00.000Z
Location: Centre Pompidou

Admin

ManiFeste

IRCAM-Centre Pompidou

Conductor

Léo Warynski

Orchestra

Ensemble Multilatérale

Singer

Ljuba Bergamelli

Voice

Laura Müller

Instrumentalist

Matteo Cesari

Flute

Soprano

Mezzo-soprano

Contrabass Flute

Visions

Paris

France

Centre Pompidou

Grande salle

Visions: Visions Franceschini, M. (+3 More)

Public

Private

Concert

Eterno Vuoto

Amok Koma

Konter

Teja Boyidi

Approved

Twenty years after his death, Fausto Romitelli still exerts a strong influence on the younger generation of composers. He embodies the successful hybridization of pop and savant, expressive chaos and fusional pulsation, the psychedelic state accepted and overcome, as evidenced by the violence of Amok Koma.

Hallucinations and inner visions? They are part of Matteo Franceschini's Visions, marked by the unbridled imagination of William Blake, pre-romantic engraver, draughtsman, painter, and poet. The dramaturgy is set in a world of archetypes, attractions and repulsions between text and music. Appearance or truth? Pasquale Corrado's Eterno Vuoto takes up this age-old question, raised by Plato, Marcus Aurelius and Saint Paul, and turns it into the argument of his creation, in which vocality invades the ensemble and electronics. Physical tension and resistance of the instrument: another great Romitellian gesture? Eva Reiter's Konter is born of this unresolved body-to-body confrontation.

Ljuba Bergamelli soprano
Laura Muller mezzo-soprano
Matteo Cesari flute
Ensemble Multilatérale
Léo Warynski conductor
Manuel Poletti IRCAM electronics
Luca Bagnoli IRCAM sound diffusion

English

Vingt ans après sa disparition, Fausto Romitelli exerce encore une influence forte sur la jeune génération des compositeurs. Il incarne l’hybridation réussie de la pop et du savant, le chaos expressif et la pulsation fusionnelle, l’état psychédélique assumé et surmonté, ainsi qu’en témoigne la violence d’Amok Koma.

Hallucinations et visions intérieures ? Elles s’inscrivent dans Visions de Matteo Franceschini, marqué par l’imagination débridée de William Blake, graveur, dessinateur, peintre et poète pré-romantique. La dramaturgie s’inscrit dans un monde d’archétypes, d’attractions et répulsions entre texte et musique. Apparence ou vérité ? Eterno Vuoto de Pasquale Corrado reprend cette interrogation ancestrale portée par Platon, Marc Aurèle ou Saint Paul, pour en faire l’argument de sa création où la vocalité va envahir l’ensemble et l’électronique. Tension physique et résistance de l’instrument : autre grand geste romitellien ? Konter d’Eva Reiter naît de ce corps-à-corps reconduit et toujours irrésolu.

Ljuba Bergamelli soprano
Laura Muller mezzo-soprano
Matteo Cesari flûte
Ensemble Multilatérale
Léo Warynski direction
Manuel Poletti électronique Ircam
Luca Bagnoli diffusion sonore Ircam

français

Visions by Franceschini, M., Corrado, P., Romitelli, Reiter, E., Frá (2024/2024), Hljómsveitarstjóri Léo Warynski, Centre Pompidou, Paris, France

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