Name: Viy
Start: 2021-10-22T00:00:00.000Z
End: 2021-10-22T00:00:00.000Z
Location: Odessa National Academic Opera and Ballet Theater

Organization

Diretor de Palco

Georgiy Kovtun

Maestro

Alexandru Samoila

Estilista

Zlata Zirzens

Mestre de Coro

Leonid Butenko

Cantor

Yuriy Dudar

Khoma Brut

Nikolay Subbota

Sotnik

Ilona Skrypnik

Bublichnitsa

Marina Godulyan

Nanny

Andrey Perfilov

Svirid

Vitaliy Kovalchuk

Larisa Garbuz

KHOMA BRUT, A PHILOSOPHER:

Alexander Stryuk

Dmitry Pavlyuk

DOROSH, SOTNIK'S SERVANT:

SVIRID, SOTNIK'S SERVANT:

Elena Starodubtseva

Natalia Kadantseva

Tatiana Spaskaia

BUBLICHNITSA, A BAGEL SELLER:

Zoreslava Dolgaya

Irina Repetiy

SWEETS SELLER:

Natalia Shevchenko

Soloist

Alina Vorokh

Anastasiya Golub

Nadezhda Sychuk

Odessa National Academic Opera and Ballet Theater

Odesa

Ucrânia

Main stage

Viy Hubarenko

Public

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Soprano

Contratenor

Contralto

Barítono

Mezzo-soprano

Baixo

Tenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Георгій Ковтун про постановку “Вія” «Гоголь – майстер фантасмагорії» Прийоми для передачі фантасмагорії складні, адже вони не мають реальних обгрунтувань, логічної бази. На мій погляд, в «Вії» письменнику вдалося створити дивовижний контраст жахливого сюжету та іронічного ставлення до героїв. До слова, легенда про Панночку і Вія досить розповсюджена – в фольклорних традиціях кожного народу є безліч подібних історій. Повість Гоголя спонукає нас звертати увагу не стільки на сюжет, скільки на особливості його подачі, що підтверджує актуальність думки – часто важливо не що, а як. Тому я й дозволив собі втрутитися у світ автора. Керівництво Одеського театру опери та балету звернулося з пропозицією про поставку опери-балету «Вій» видатного українського композитора Віталія Губаренка на сцені театру. Спочатку хотів відмовитися, але мій внутрішній авантюризм змусив кров в жилах вирувати, а це означає – з’явився божевільний інтерес до цієї роботи. Одеському глядачеві добре відома перша постановка «Вія» 1984 року, тому я і вирішив звернути увагу на передісторію взаємин Хоми і Панночки. Наприкінці життя Губаренко на основі музики опери-балету написав хореографічні сцени. Мені здалося цікавим об’єднати оперу-балет і хореографічні сцени. Вистава наповнена містичним змістом, який передається за допомогою музики, живопису, хореографії, голосу. Микола Васильович Гоголь занурений в дію спектаклю і стає його головною дійовою особою. Він створює своїх героїв, вони народжуються з його свідомості,  знаходять своє життя і вступають у конфлікт із самим автором.

українська

Georgy Kovtun about the production "Viya" " Gogol - master of phantasmagoria "Techniques for transmitting phantasmagoria are complex, because they have no real rationale, logical basis. In my opinion, in "Via" the writer managed to create an amazing contrast between the terrible plot and the ironic attitude towards the heroes. By the way, the legend about Pannochka and Viya is quite widespread - there are many similar stories in the folklore traditions of every nation. Gogol's story prompts us to pay attention not so much to the plot as to the peculiarities of its presentation, which confirms the relevance of thought - often it is not what, but how that matters. That is why I allowed myself to intervene in the author's world. The management of the Odesa Opera and Ballet Theater made a proposal to perform the opera-ballet "Vii" by the outstanding Ukrainian composer Vitaly Gubarenko on the stage of the theater. At first I wanted to refuse, but my inner adventurism made the blood in my veins rush, and this means that there has been a crazy interest in this work. The first production of "Viya" in 1984 is well known to the Odesa audience, so I decided to pay attention to the background of the relationship between Khoma and Pannochka. At the end of his life, Gubarenko wrote choreographic scenes based on the music of the opera-ballet. It seemed interesting to me to combine opera-ballet and choreographic scenes. The performance is filled with mystical content, which is conveyed with the help of music, painting, choreography, and voice. Mykola Vasyliovych Gogol is immersed in the action of the play and becomes its main character. He creates his heroes, they are born from his consciousness, find their own life and come into conflict with the author himself. At the end of his life, Gubarenko wrote choreographic scenes based on the music of the opera-ballet. It seemed interesting to me to combine opera-ballet and choreographic scenes. The performance is filled with mystical content, which is conveyed with the help of music, painting, choreography, and voice. Mykola Vasyliovych Gogol is immersed in the action of the play and becomes its main character. He creates his heroes, they are born from his consciousness, find their own life and come into conflict with the author himself. At the end of his life, Gubarenko wrote choreographic scenes based on the music of the opera-ballet. It seemed interesting to me to combine opera-ballet and choreographic scenes. The performance is filled with mystical content, which is conveyed with the help of music, painting, choreography, and voice. Mykola Vasyliovych Gogol is immersed in the action of the play and becomes its main protagonist. He creates his heroes, they are born from his consciousness, find their own life and come into conflict with the author himself.

English

Viy by Hubarenko, V. S., De (2021/2021), Dirigido por Georgiy Kovtun,, Regente Alexandru Samoila, Vitaliy Kovalchuk, Odessa National Academic Opera and Ballet Theater, Odesa, Ucrânia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos