Name: Za razmislek
Start: 2024-03-24T00:00:00.000Z
End: 2024-03-24T00:00:00.000Z
Location: Slovenska filharmonija

Organization

Admin

Slovenska filharmonija

Maestro

Stephen Layton

Others

Slovenian Philharmonic Choir

Instrumentista

Harrison Cole

Organ

Mezzo-soprano

Ana Potočnik

Barítono

Peter Grdadolnik

Baritone

Za razmislek

Liubliana

Eslovênia

Dvorana Marjana Kozina

Za razmislek: 4 Motets pour un temps de pénitence, FP 97 Poulenc (+2 More)

Public

4 Motets pour un temps de pénitence, FP 97

Prélude et Fugue sur le nom d'Alain, Op 7

Réquiem

Approved

Baixo

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor

Diretor de Palco

Libretista

Cenógrafo

Estilista

Coreógrafo

Designer de Iluminação

Dançarino

Ator

Mestre de Coro

Designer de Vídeo

Dramaturgo

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Baixo-barítono

Soprano

Tenor

Contratenor

Contralto

Spoken

Vocalista Infantil

Silent

Alto

Continuo

Poulenc's vocal music was strongly marked by his conversion to the Catholic faith in 1936. After setting the Misse brevis (1937) to music, he returned to writing sacred music to Latin texts, composing four Lenten motets in 1938–1939. Using modern harmonic means, he transformed the gloomy text of the Holy Week responsories, which speak of fear, disappointment and loss, into an expressive image of man's confrontation with suffering and transience.

Duruflé began composing the Requiem as early as World War II, and completed the work in September 1947. He used the Latin text of the Requiem Mass, omitting some parts , following the example of Gabriel Fauré's Requiem , and structuring it into nine movements. At the time of the commission, he composed an organ suite using themes from Gregorian chants. He also included his sketches for this piece in the Requiem , which uses many themes from the Gregorian Mass for the dead, so the work is calm and meditative in its musical expression.

English

Poulencovo vokalno glasbo je močno zaznamovala njegova spreobrnitev h katoliški veri leta 1936. Po uglasbitvi Misse brevis (1937) se je vrnil k pisanju sakralne glasbe na latinska besedila, ko je v obdobju 1938–1939 uglasbil štiri motete za postni čas. Mračno besedilo responzorijev velikega tedna, ki govorijo o strahu, razočaranju in izgubljenosti, je z uporabo sodobnih harmonskih sredstev prelil v ekspresivno podobo človekovega soočenja s trpljenjem in minljivostjo.

Duruflé je s komponiranjem Rekviema pričel že v času druge svetovne vojne, delo pa je dokončal septembra 1947. Uporabil je latinsko besedilo maše zadušnice, pri čemer je po zgledu Rekviema Gabriela Fauréja izpustil nekatere dele in ga strukturiral v devet stavkov. V času naročila je komponiral orgelsko suito z uporabo tem iz gregorijanskih koralov. Svoje skice za to skladbo je vključil tudi v Rekviem, ki uporablja številne teme iz gregorijanske maše za umrle, zato je delo v svojem glasbenem izrazu umirjeno in meditativno.

slovenščina

Za razmislek by Poulenc, Duruflé, De (2024/2024), Regente Stephen Layton, Slovenska filharmonija, Liubliana, Eslovênia

Créditos do espetáculo (Elenco & Equipe )

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

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