Name: Zaïs
Start: 2015-04-17T00:00:00.000Z
End: 2015-04-17T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Tenor

Julian Prégardien

Zaïs

Soprano

Sandrine Piau

Zélidie

Bass-baritone

Aimery Lefèvre

Oromasès

Bass

Benoît Arnould

Cindor

Amel Brahim-Djelloul

Sylphide

Hasnaa Bennani

Amour

Zachary Wilder

Un Sylphe

Conductor

Christophe Rousset

MusikTheater an der Wien

Others

Chœur de Chambre de Namur

Centre de musique baroque de Versailles

ranska

Zaïs

Vienna

Austria

Theater an der Wien

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Contralto

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Jean-Philippe Rameau created Zaïs for the Paris Opera in 1748. Not long before the composer had been appointed Compositeur du Cabinet du Roi, and in the years that followed he performed a number of lighter, more entertaining opéra-ballets, including Zaïs. However, that does not mean that Rameau abandoned his own claim to redefine French opera. The title character Zaïs is an air spirit who has a love affair with the mortal shepherdess Zelidie. He wants to test her loyalty and therefore subjects her to a number of trials, which she passes perfectly. In the end, she is also given immortality by the spirit king Oromazès, and Zaïs can marry her. The opera contains some of the finest moments in French music and was already a notable success when it premiered. The overture and prologue were particularly emphasized and discussed, in which the means of music are used to show how the mighty Oromazès separates the elements and creates a harmony of the worlds. The musical chaos seemed too realistic for some contemporaries,

English

Zaïs by Rameau, Alkaen (2015/2015), Musiikinjohto Christophe Rousset, Theater an der Wien, Vienna, Austria

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