Name: Le nozze di Figaro
Start: 2016-01-05T00:00:00.000Z
End: 2016-01-06T00:00:00.000Z
Location: Théâtre de Cornouaille

Organization

Admin

Conductor

Alexis Kossenko

Stage director

Galin Stoev

Costume designer

Delphine Brouard

Set designer

Alban Ho Van

Singer

Bass

Yuri Kissin

Figaro

Soprano

Emmanuelle de Negri

Susanna

Baritone

Thomas Dolié

The Count of Almaviva

Diana Axentii

The Countess of Almaviva

Mezzo-soprano

Ambroisine Bré

Cherubino

Frédéric Caton

Bartolo

Salomé Haller

Marcelline

Tenor

Eric Vignau

Basilio

Don Curzio

Hélène Walter

Barbarina

Lighting designer

Elsa Revol

Les deux scènes - Scène nationale de Besançon

Orchestra

Les Ambassadeurs

Théâtre de Cornouaille

Le Bateau Feu

Theatre-Senart, National Scene

La Coursive

Le nozze di Figaro -  (The Marriage of Figaro)

Producer

Quimper

France

Private

Public

The Marriage of Figaro

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Diana Axentii, soprano The Marriage of Figaro - The Countess "And Susanna does not come... Where are they..." Janvier 2016 - Théâtre de Cornouaille

Diana Axentii - The Marriage of Figaro - The Countess

Near Seville, at the home of the Count and Countess Almaviva, the two servants Figaro and Suzanne are preparing for their wedding. But the count threatens to oppose this marriage if Suzanne does not give in to his advances. The young couple will have to show a lot of imagination to thwart the maneuvers of the fickle count...

This is one of the most miraculous operas in the repertoire. Mozart's genius radiates the eloquence of his librettist Lorenzo da Ponte, who scratched Beaumarchais' sulphurous Marriage of Figaro to exalt its most human aspect. The plot, funny among all, is carried out with a bang and is enriched by adventures, which perfectly serve the balance of the four acts. But behind the humor and piquancy of the situations, here the anger of Figaro, there the arrogance of the count, elsewhere the malice of Suzanne or the spleen of the countess, Mozart probes souls and hearts, and pours an indescribable melancholy on these games of love and chance.
A veritable dramatist of his Weddings, Mozart slides, in a luminous narration, airs which are transformed into duets, duets into trios, trios into tutti, with a vertiginous melodic invention, always springing and renewed. Alexis Kossenko leads an intense career as a solo flautist, before collaborating as a conductor with prestigious ensembles, notably baroque. In 2010, he founded his orchestra, Les Ambassadeurs, to perform Rameau, Bach and Handel. He will conduct here nine solo singers and twenty musicians. Accustomed to the great repertoire that he regularly stages for the Comédie Française, Galin Stoev seizes on this opera-bouffe to lay bare the truth of hearts and spin the infernal merry-go-round of desire, omnipresent to the point of madness. A crazy day then.

English

Près de Séville, chez le Comte et la Comtesse Almaviva, les deux domestiques Figaro et Suzanne préparent leurs noces. Mais le comte menace de s’opposer à ce mariage si Suzanne ne cède pas à ses avances. Le jeune couple devra faire preuve de beaucoup d’imagination pour déjouer les manoeuvres du comte volage…

Voici l’un des opéras les plus miraculeux du répertoire. Le génie de Mozart irradie la faconde de son librettiste Lorenzo da Ponte, qui a gratté le sulfureux Mariage de Figaro de Beaumarchais pour en exalter la part la plus humaine. L’intrigue, drôle entre toutes, est menée tambour battant et s’enrichit de péripéties, qui servent à la perfection l’équilibre des quatre actes. Mais derrière l’humour et le piquant des situations, ici la colère de Figaro, là l’arrogance du comte, ailleurs la malice de Suzanne ou le spleen de la comtesse, Mozart sonde les âmes et les coeurs, et verse une indicible mélancolie sur ces jeux de l’amour et du hasard.
Véritable dramaturge de ses Noces, Mozart glisse, dans une narration lumineuse, des airs qui se transforment en duos, des duos en trios, des trios en tutti, avec une invention mélodique vertigineuse, toujours jaillissante et renouvelée. Alexis Kossenko mène une intense carrière de flûtiste soliste, avant de collaborer comme chef d’orchestre avec de prestigieux ensembles, notamment baroques. En 2010, il fonde son orchestre, Les Ambassadeurs, pour interpréter Rameau, Bach et Haendel. Il dirigera ici neuf chanteurs solistes et vingt musiciens. Habitué du grand répertoire qu’il monte régulièrement pour la Comédie Française, Galin Stoev se saisit de cet opéra-bouffe pour mettre à nu la vérité des coeurs et faire tourner le manège infernal du désir, omniprésent jusqu’à la folie. Une Folle journée donc.

français

The Marriage of Figaro by Mozart, Ó (2016/2016), Faoi stiúir Galin Stoev,, Seoltóir Alexis Kossenko, Théâtre de Cornouaille, Quimper, France

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Comhléiritheoir

Clár, Eolas & Achoimre

Físeáin

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid